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Compact disc

1 of 1 Copy Available

  • CENTRAL: Audiovisual Collection
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Beauty is a rare thing : the complete Atlantic recordings

Call Number

  • COMPACT DISC JAZZ (CEN)

Performers

Ornette Coleman, alto and tenor saxophone ; with, variously: Don Cherry, pocket trumpet, cornet ; Charlie Haden, double bass ; Billy Higgins, drums ; Ed Blackwell, drums ; Eric Dolphy, bass clarinet, alto saxophone, flute ; Bill Evans, piano ; Jimmy Garrison, double bass ; Jim Hall, guitar ; Freddie Hubbard, trumpet ; Scott LaFaro, double bass.

Publication Information

New York, NY : Atlantic Recording Corporation ; [Los Angeles, CA] : Distributed by Rhino Records, p1993.

Physical Description

6 sound discs : digital, stereo. ; 4 3/4 in. + 1 booklet.

Notes

Compact discs.

Program notes in accompanying booklet.

Digitally remastered from the original stereo master tapes.

Contents

  • Disc 1. Focus on sanity
  • Chronology
  • Peace
  • Congeniality
  • Lonely woman
  • Monk and the nun
  • Just for you
  • Eventually
  • Una muy bonita
  • Bird food
  • Change of the century
  • Music always. Disc 2. The face of the bass
  • Forerunner - Free
  • The circle with a hole in the middle
  • Ramblin'
  • Little symphony
  • The tribes of New York
  • Kaleidoscope
  • Rise and shine
  • Mr. and Mrs. People
  • Blues connotation
  • I heard it over the radio.
  • Disc 3. P.S. unless one has (blues connotation no. 2)
  • Revolving doors
  • Brings goodness
  • Joy of a toy
  • To us
  • Humpty Dumpty
  • The fifth of Beethoven
  • Motive for its use
  • Moon inhabitants
  • The legend of bebop
  • Some other
  • Embraceable you
  • All. Disc 4. Folk tale
  • Poise
  • Beauty is a rare thing: First take ; Free jazz. Disc 5. PROOF readers
  • W.R.U.
  • Check up
  • T. & T.
  • C. & D.
  • R.P.D.D.
  • The alchemy of Scott LaFaro.
  • Disc 6. Eos
  • Enfant
  • Ecars
  • Cross breeding
  • Harlem's Manhattan
  • Mapa
  • Abstraction
  • Variants on a theme of Thelonius Monk (Criss-cross): Variant I ; Variant II ; Variant III ; Variant IV.

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