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The Problem of the Hero

Summary

In March of 1941 at the St. James Theatre in New York, two 20th century literary giants, ground-breaking author Richard Wright and Pulitzer Prize-winning playwright Paul Green, collaborate to adapt Wright’s best-selling book, Native Son, into a Broadway play. Days from opening night, they differ over a single page of the script. While the difference of opinion evolves into a spirited contention over issues of race, social justice, politics, and personal and creative agency, the argument also threatens to dissolve their friendship.