Pioneers of African-American cinema
Sound films are closed-captioned; silent films have English intertitles, some have accompanying music.
Dirty Gertie from Harlem U.S.A.: Francine Everette, Don Wilson, Katherine Moore, Alfred Hawkins, David Boykin, Spencer Williams.
New York, NY : Kino Classics, 
Collective title from container.
"Five-disc collection; nineteen digitally restored feature films; short films, fragments, documentaries; 80-page booklet with essays and photos; interviews with historians and archivists; musical scores by DJ Spooky, Max Roach, Samuel Waymon, Donald Sosin & more"--Container.
Body and soul: Based on the novel by Oscar Micheaux.
Dirty Gerties from Harlem U.S.A.: Based on the story "Miss Thompson" by W. Somerset Maugham.
Ten minutes to live: Based on the short stories "The Faker," "The Killer," and "Harlem after midnight" a collection entitled "Harlem after midnight" (author undetermined).
Ten nights in a bar room: Based on the novel by Timothy Shay Arthur and the stage adaptation by William W. Pratt.
The birthright: Based on the novel by Thomas Sigismund Stribling.
The exile: Based on the novel The Conquest by Oscar Micheaux.
The girl from Chicago: Based on the short story "Jeff Ballinger's Woman" by Oscar Micheaux.
Veiled aristocrats: Based on the novel The House Behind the Cedars by Charles W. Chesnutt.
Films originally produced 1915-1946.
Booklet, titled Pioneers of African-American cinema: film notes, includes an introduction by Paul D. Miller (aka D.J. Spooky), and essays by Charles Musser, Jacqueline Najuma Stewart, Rhea L. Combs, and Mary N. Elliott.
Among the most fascinating chapters of film history is that of the so-called "race films" that flourished in the 1920s -'40s. Unlike the "black cast" films produced within the Hollywood studio system, these films not only starred African Americans but were funded, written, produced, edited, distributed, and often exhibited by people of color. Entrepreneurial filmmakers built an industry apart from the Hollywood establishment, cultivating visual and narrative styles that were uniquely their own.
- Two knights of vaudeville A reckless rover Within our gates The symbol of the unconquered: a story of the Ku Klux Klan By right of birth Body and soul Screen snapshots Regeneration The flying ace Ten nights in a bar room Rev. S. S. Jones home movies The scar of shame Eleven P.M. Hell-bound train Verdict: not guilty The darktown revue The exile Hot Biskits The girl from Chicago Ten minutes to live Veiled aristocrats Birthright The bronze buckaroo Zora Neale Hurston fieldwork footage (excerpt: Logging community near Loughman, Florida) (3 min. ; 1928) ; Zora Neale Hurston fieldwork footage (excerpt: Commandment Keeper Church, Beaufort, South Carolina) (16 min. ; 1940) ; The blood of Jesus Dirty Gertie from Harlem U.S.A. The Moses sisters interview
- Pioneers of African-American cinema : an introduction The films of Oscar Micheaux The color line Ten nights in a barroom : an introduction About the restoration Religion in early African-American cinema Eleven P.M. : an introduction S. Torriano Berry discusses the works of James and Eloyce Gist Veiled aristocrats (Original trailer) Birthright (Theatrical trailer) The Tyler-Texas Black Film Collection : the missing link in black cinema The films of Zora Neale Hurston The films of Spencer Williams The end of an era