Give it a decade-- “where you were you the first time you heard LP1?” will be a standard question for music enthusiasts everywhere. Singer-producer FKA twigs’ first studio release is not just a well-executed debut; in the vein of Black Star who released one sole record (Mos Def & Talib Kweli are Black Star), this is an instant classic that leaves you craving a follow-up.
LP1 stands in stark relief to electronic contemporaries because it emits a haunting, raw energy that is also crisply edited. FKA twigs (26-year-old Brit Tahliah Barnett) pairs her own vocal and production talents with those of industry innovators like Sampha and Dev Hynes to deliver synth-heavy tones that range from dissonant ("Pendulum") to lush ("Kicks"). The first track, "Preface," opens with FKA twigs singing hymnal notes, quickly chased by a simple drum beat, followed by an unintelligible man's voice. Though the pace rarely moves beyond a nonchalant head nod, the album is not lethargic. The first single, “Two Weeks,” is barely mid-tempo but achieves a hypnotic, hair-raising feel. A few tracks veer towards ‘90s R&B production, yet never sound dated. "Give Up" could be a dark follow-up track to Janet Jackson's “Velvet Rope.” FKA twigs neatly contorts her controlled soprano to fit LP1’s sonic range. She never belts, but when paired with gauzy tones and deep bass her voice takes on an ethereal quality. Those vocals are essential to the album’s central theme: tension.
LP1 communicates tension primarily by placing the familiar in unfamiliar spaces, sonically and lyrically. "Closer" sounds like a hymn you might hear at Mass if not for the steady 808s and chirping synthesizer. While “Numbers” is a frustrated missive to a transient former lover, "Two Weeks" confidently declares the singer’s erotic power. These contrasting elements feel like an intentional rejoinder in a music landscape that demands definition. More than just sharing FKA twigs’ distinctive vision, LP1 expresses a multidimensionality inscribed with self-love, doubt, narcissism, insignificance, and invincibility: all emotions rarely discussed in public. Now, check out the album and mark the date on your calendar—it will come in handy.
I’m not a fan of the Sex and the City series or even the movies, but I have really enjoyed their soundtrack. What I have found with soundtracks is that you get a variety of music and since my taste in music is all over the place, I usually find something I like. This soundtrack stars Alicia Keys, Dido, Cee Lo Green, Ricki-Lee and Erykah Badu. Even Liza Minelli has a couple of cuts on this CD. It’s the same ole Liza, except, even though it may be hard to imagine it, her voice is even raspier.
Sex and the City 2 is a collection of eclectic vibes which turned me on to Natacha Atlas. She is a Middle Eastern singer who has a striking song called Kidda on Sex and the City 2. I was always singing along in my head, which is pretty difficult since I have no idea what she’s saying, but it led me to look her and other Arabic music up. KPL has one of Natacha’s CDs titled Mounqaliba in their collection. On Mounqaliba she has a rendition of Nick Drake’s Riverman that I really enjoy. It’s kind of jazzy or maybe bluesy. Well, anyway….KPL also has a CD called The rough guide to Arabic Lounge, which is a mix of Arab music that includes something from Natacha. If you like to try different kinds of music give Sex and the City 2 a shot. If nothing else maybe you’ll like the men’s choir that’s singing in it.
Every once in a while I come across a musician or an album that makes me stop and really listen. Valerie June is just one of those musicians and her album Pushin’ Against the Stone is just one of those albums. Her music is bluesy and folky, with soul and funk, and her voice is the perfect conduit to blend all those styles together. She’s also a great storyteller, and I find listening to her music evokes a similar atmosphere to many of my favorite southern gothic writers (think Faulkner, Flannery O’Connor or Toni Morrison). This was love at first listen for me.
You can find a copy of Pushin’ Against the Stone both in our CD collection and on our streaming music service Hoopla
Singer Billy Stewart had chart success during the 1960's with hits like Fat Boy, Summertime, Sitting in the Park, Secret Love, and You Reap What You Sow and while he's not as well-known as the Motown label singers or James Brown, Stewart possessed and original style all his own that's worth checking out if you're a fan of old school rhythm and blues. His signature trademarks were improvising, scatting and rolling his tongue, all of which provided his vocal interpretations with a unique vitality. Tragically, Stewart died at 33 from an auto accident in 1970. For those new to his sound, try this excellent compilation that includes Stewart's recordings on the famous Chess Records label.
One More Time: the chess years
75 classic soul tracks from the vaults of Motown! That's right, 75 classics! Motown-produced music is my go-to, annual soundtrack to Michigan summers. This compilation brings forth the great music from the era's titans (Mary Wells, Marvin Gaye, The Temptations, The Miracles, The Supremes, etc.) but it also includes a few lesser known names like The Downbeats, The Valadiers, Paul Gayten, Lamont Dozier, and Barrett Strong.
Marc Bolan (aka T-Rex) was the man behind the boogie-woogie glam rock that came to define the sound of early 70's British music. Mixing campy looks with big guitar hooks, T-Rex banged out several pop anthems including 20th Century Boy, Telegram Sam, Bang a Gong, and I Love to Boogie.
This year marked the 20th anniversary of the death of Kurt Cobain and the subsequent dissolution of his band Nirvana. After being inducted into the Rock and Roll Hall of Fame this year, Nirvana continue to be the band most associated with the rise of alternative music into the mainstream during the 1990's.
Soul of Detroit
Looking for artists similar to those you already know about and enjoy? Well, we’ll try to make suggestions that expand your musical listening experience. Don't forget, you can access music from KPL through compact discs, free MP3 downloads (Freegal) and internet streamed albums via Hoopla.
• Liked Beach House, try Wye Oak
• Liked Steve Earle, try David Allan Cole
• Liked Pavement, try Parquet Courts
• Liked Solange, try Kelis
• Liked Bruno Mars, try Fitz and the Tantrums
• Liked early Pink Floyd, try Tame Impala
• Liked Lorde, try Sharon Van Etten
Raphael Saadiq has been around for quite a while. He came as a surprise to me because his vintage sounds. He seems extremely talented and is well packaged. He initially played with Tony! Toni! Tone! Over the years he has worked behind the scenes as a producer for some top names like, John Legend, Joss Stone, Stevie Wonder, Mary J Blige and the list goes on to some surprising other great artists.
What I really like about him is that he is very versatile. Raphael Saadiq is a singer, songwriter, guitarist and a record producer. I’ve read that his heroes are Chuck Berry, Stevie Wonder, Sly Stone and Little Walter. He says he wants to be a throwback with a futuristic twist. That certainly comes through on his latest CD Stone Rollin. That CD took me back to the 50s and 60s. It also had me reminiscing about Sam Cook. There are many great sounds and it is a great show of talent. It’s definitely R&B at its finest and it had me rolling.
The very first sentence in this book… “For everyone who ever picked up the back of an album cover, spied a producer’s name, and wondered what the hell he did, this book is for you.” …was alone enough to capture my attention and cement its purchase. In his 2004 book, Sonic Alchemy, author and publisher David N. Howard (no relation that I know of) takes his readers on a tour of the most influential and pioneering record producers and sound recording engineers of our time.
Subtitled Visionary Music Producers and their Maverick Recordings, Howard explores the styles and techniques of such legendary producers as George Martin (The Beatles), Phil Spector (60s “Wall of Sound”), and Brian Wilson (Beach Boys), and then moves on to the many others who helped shape the sound of the world we live in.
He examines the influence of reggae and dub legends like Lee “Scratch” Perry (Bob Marley, The Clash) and King Tubby (Dennis Brown, Augustus Pablo), the ambient wizardry of Brian Eno (Talking Heads, David Bowie), the “classic rock” sound of Jimmy Miller (Rolling Stones, Traffic) and Glyn Johns (Eric Clapton, Eagles, The Who), the postpunk Manchesterian vision of Martin Hannet (Durutti Column, Joy Division), and he documents the pioneering techniques employed by Flood (Nine Inch Nails, U2), Chris Thomas (Pink Floyd, The Pretenders, Sex Pistols), Dr. Dre (Eminem, Public Enemy), Arthur Baker (New Order), and well over a dozen others.
For a sound geek like me, this was a terrific find. Thank you, Friends.
Bargains in the Basement is an occasional series highlighting noteworthy items unearthed in the lower level of Central Library. What a treasure we have (quite literally) in the Friends Bookstore. When you can grab high quality books, music, and movies for little more than pocket change, life is good. And all the proceeds go to help support the library. So shop often; you never know what you’ll find. And stay tuned… I’ll let you know what I find!
Looking for artists similar to those you already know about and enjoy? Well, we’ll try to make suggestions that expand your musical listening experience by connecting like-sounding artists together.
• Liked Jackson Browne, try Dawes
• Liked The Avett Brothers, try The Felice Brothers
• Liked Neko Case, try Laura Marling
• Liked Miles Davis, try Chet Baker
• Liked MGMT, try The Flaming Lips
• Liked The Cocteau Twins, try Beach House
• Liked New Order, try The Knife
• Liked Bob Marley, try Peter Tosh
• Liked Billie Holiday, try Diane Krall
• Liked The White Stripes, try Wanda Jackson
• Liked Wilco, try Fleet Foxes
• Liked Pink, try Robyn
• Liked Bon Iver, try Elliott Smith
• Liked Mumford and Sons, try The Head and the Heart
• Liked Frank Sinatra, try Kurt Elling
the head and the heart