I have a pretty wide taste spectrum for the various jazz styles and movements that have unfolded over the past 50 years or so. One of those musicians that I enjoy listening to as summer turns to fall is the pianist Dave Brubeck. Along with Gerry Mulligan, Chico Hamilton, Chet Baker, Wes Montgomery, and Paul Desmond, Brubeck was considered one of the most popular players associated with the "cool jazz" of the West Coast scene (his visage was famously featured on the cover of Time Magazine in 1954). Brubeck w as an adventurous innovator whose style could be characterized by unconventional time signatures as well as his warm tones and lyrical flourishes.His most famous album and composition (a commercial hit of its time) is the standard Take Five, which was written along side of the great alto saxophonist Paul Desmond who was a member of the Dave Brubeck Quartet.
Yes, summer is on the short end of its calendar life and soon the leaves will be falling and I'll want to listen to more brooding, pensive music. But for now, the sweet, melodic, and laidback sounds of Bossa Nova fit perfectly with the time spent in the hot sun and strolling along the lake's meandering surf. For those looking for a great introduction to the Brazilian music developed in the early 1960’s, check out Bossa Nova and the rise of Brazilian Music in the 1960’s.
This compilation contains a who’s who of artists of the period, when Brazilian musicians mixed American jazz influences with South American rhythms. If you’re searching for Bossa Nova artists in Hoopla or Freegal, then give these well-known artists a shot: Bebel Gilberto, Gilberto Gil, Stan Getz (made several Bossa Nova tinged albums), João Gilberto, Astrud Gilberto, Antonio Carlos Jobim, Charlie Byrd, Sergio Mendes, and Wanda Sa.
Looking for artists similar to those you already know about and enjoy? Well, we’ll try to make suggestions that expand your musical listening experience by connecting like-sounding artists together.
• Liked Jackson Browne, try Dawes
• Liked The Avett Brothers, try The Felice Brothers
• Liked Neko Case, try Laura Marling
• Liked Miles Davis, try Chet Baker
• Liked MGMT, try The Flaming Lips
• Liked The Cocteau Twins, try Beach House
• Liked New Order, try The Knife
• Liked Bob Marley, try Peter Tosh
• Liked Billie Holiday, try Diane Krall
• Liked The White Stripes, try Wanda Jackson
• Liked Wilco, try Fleet Foxes
• Liked Pink, try Robyn
• Liked Bon Iver, try Elliott Smith
• Liked Mumford and Sons, try The Head and the Heart
• Liked Frank Sinatra, try Kurt Elling
the head and the heart
The 8-disc compilation The 100 Best Jazz Tunes of the 1950’s is an absolutely fantastic introduction to the music of jazz for both the well-versed aficionado as well as the eager novice seeking to expand their listening library (see: My co-worker Kevin King's previous post). This was a great decade for jazz development, ushering in various stylistic trends including Bop, Post-Bop, Cool and the first signals of what one might refer to as Free Jazz. It’s a who’s who of legendary musicians from Jazz's heyday, many of whom are featured playing their signature tunes. Included are Charlie Parker, Miles Davis, Sarah Vaughan, Django Reinhardt, Sonny Rollins, John Coltrane, Billie Holiday, Nina Simone, Art Blakey & the Jazz Messengers, Charles Mingus, and many more. If you just wanted to add a little bit of Jazz to your iTunes library, this is the one title to start with.
The 100 Best Jazz Tunes of the 1950's
One of my personal goals for 2014 was to try and find a way into jazz music. It has always been a genre of music I’ve had difficulty understanding, so I wanted to discover if I could learn to appreciate it. Another reason is that my 13 year old daughter, Abigail, is a HUGE fan of Miles Davis so I wanted to share something with her on the car rides to her various extra-curricular activities. On a whim, I checked out Time Out by The Dave Brubeck Quartet which has become the first course in my jazz education. My instructor was Abigail who pointed out how the timing of each song was different. We continued to discuss the unique blend of cool and West Coast jazz that Brubeck made popular. I then had to research the story behind Time Out and discovered that the time signatures Brubeck used were very unusual and groundbreaking at the time. He was inspired by Turkish street musicians while touring Eurasia for the US State Department. I was amazed at the story behind the origins of the record as well as how my daughter was able to pick up on the innovative style of The Dave Brubeck Quartet. I am truly excited to enter 2014 looking forward to learning from a 13 year old jazz head. Maybe she will teach her old punk rock dad how to love the music that truly symbolizes the American spirit. If not I cannot find my way past Brubeck and Davis, I at least get to spend some time with my daughter. Whatever the result, I win.