Staff Picks: Music
Crazy for You by the California band Best Coast blared from my car speakers all of last summer. This year it will be the band Tennis and their debut record Cape Dory; a thematic homage to summer sailing and an inspired musical nod to The Ronettes and early nineteen sixties, girl groups. Hardly breaking new, creative ground here, Cape Dory will still have you humming along with catchy tunes like Marathon, Take Me Somewhere, Cape Dory and Pigeon while you look cool in your tortoise shell wayfarers.
One of the overlooked treasures in our music collection is our movie and television soundtracks. We have an excellent collection that represents some of the legendary composers (Philip Glass, John Barry, John Williams, Itzhak Perlman, Quincey Jones, Thomas Newman, Ennio Morricone) from the past, those who have been working for some time and the inventive scores being produced from contemporary musicians that straddle both the world of film scoring and their own personal works (Jonny Greenwood, Jon Brion, Danny Elfman, Yann Tiersen, Randy Newman). Here are some of my favorite albums from the collection.
Good Bye Lenin by Yann Tiersen
Midnight Cowboy by John Barry
Schindler’s List by Itzhak Perlman and John Williams
Eternal Sunshine of the Spotless Mind by Jon Brion
The Hours by Philip Glass
Out of Africa by John Barry
Twin Peaks by Angelo Badalamenti
Good bye lenin
Music lovers first heard John Grant’s amazing voice when he fronted the Denver-based band The Czars. The Czars were signed to the Bella Union label and released several critically acclaimed records throughout the late nineties and early 2000’s. Grant has now gone solo and released The Queen of Denmark, an album which received Mojo Magazine’s album of 2010 award. Fans of The Red House Painters, early Elton John, and 1970’s soft rock will enjoy Grant’s bathetic musings and one of a kind baritone.
Queen of Denmark
Boogie-woogie piano legend Pinetop Perkins, one of the last of the pre-war bluesmen, passed away on Monday. Born Joe Willie Perkins in Belzoni, Mississippi, on 7 July 1913, Perkins became known as “Pinetop” after his famous 1953 Sun Records recording of Clarence “Pinetop” Smith’s “Pinetop’s Boogie Woogie.”
Perkins was perhaps best known for his work as a member of Muddy Waters’ legendary band between 1969 and 1981. He released his first album under his own name as a leader in 1992—followed by some 14 more during the years since—and he toured almost constantly. Perkins performed with Willie “Big Eyes” Smith at the State Theater a year ago and just last month, Perkins and Smith won the Best Traditional Blues Album Grammy award for their recording Joined at the Hip. Pinetop won the Grammy Lifetime Achievement Award in 2005.
“He was one of the last great Mississippi Bluesmen,” said fellow blues legend BB King in a statement on Perkins’ website. “He had such a distinctive voice, and he sure could play the piano. He will be missed not only by me, but by lovers of music all over the world.” Said Perkins, “I just wanna make people happy and make a dollar or two. It’s all I know to do.” Pinetop Perkins was 97.
Joe Willie “Pinetop” Perkins, photo by Steve Azzato
I cannot get the first track of Adele’s new album 21 out of my head. “Rolling in the Deep” is soulful and catchy, and one of those songs you want to sing along to while driving in the car. Adele is a British singer, who at age 22 has already made huge waves in the pop charts—it’s no wonder, her voice is amazing. The album as a whole is a little uneven; it starts out strong but loses energy in the middle due to a few slow, uninspired ballads right in a row. The end of the album picks up a bit with a unique take on the Cure’s “Lovesong.” All in all, it’s definitely worth a listen.