If you lived in Kalamazoo during the 1970s and listened to WIDR (WMU campus radio) you undoubtedly heard a lot of Gil Scott-Heron – like others I’m sure, that was my first exposure to this highly influential musician and poet. Scott-Heron is often described as “the godfather of rap” for his sharply pointed spoken word infused jazz and soul. In his 1970 single “The Revolution Will Not Be Televised,” his deep soulful voice—accompanied only by a steady drum beat—brought life the hot-button issue of racial inequality; not as a radical street preacher but as an articulate street-smart professor (he held a master’s degree in creative writing). His words were riveting and immediate. “The revolution will not be brought to you by Xerox in four parts without commercial interruptions. The revolution will not give you sex appeal. The revolution will not make you look five pounds thinner, because the revolution will not be televised, Brother.”
He collaborated with many of the jazz heavyweights of his time – Brian Jackson, Ron Carter, Hubert Laws to name a few and his influence is acknowledged by a generation of artists, from Kanye West and Public Enemy to Eminem. His work touched on a variety of social and political issues, including addiction (“The Bottle” - 1974), slavery (“Rivers of My Fathers” - 1973) and racial oppression (“Johannesburg” - 1976). In 1979, he joined other high profile artists in Musicians United for Safe Energy (MUSE) and contributed “We Almost Lost Detroit,” a poignant reminder of a close-by nuclear near-disaster in 1972.
In 2010, Scott-Heron released his fifteenth studio album, I’m New Here, to great critical acclaim. A track called “Where Did The Night Go” is highlighted here. Gil Scott-Heron passed away last Friday in New York after a brief illness. He was 62.