When Raphael Saadiq’s The Way I See It first burst through our stereo speakers, my wife thought I’d accidentally put in one of my ‘60’s Motown collections. Not so, but Saadiq’s production style on this, his fourth solo LP, so faithfully recreates the sounds of mid-to-late ‘60’s Northern Soul that it’s easy to believe it’s a lost masterpiece from the vaults of Brunswick or Philly Groove.
It’s not just the production that echoes the best vintage soul – it’s the groove-inducing songs, all straight from the pen of Saadiq himself (only a handful being co-writes). While a flourish or two may be lifted wholesale from an R’n’B classic (the chromatic string ascensions and descensions of "Just One Kiss" - a duet with Joss Stone - come straight from the Temptations’ “Just My Imagination”), no tunes sound like blatant steals. Influences are deftly blended, so that a song like “Keep Marchin’” brings to mind the vocal stylings of the Impressions, singing socially conscious lyrics a la Curtis Mayfield, backed by the Funk Brothers as produced by Smokey Robinson.
The former lead singer of New Jack Swing legends Tony! Toni! Toné! hasn’t totally escaped the modern world – a bonus track remix of “Oh Girl” (not the Chi-Lites smash) features Jay-Z, and there’s a polish on the recording that doesn’t scream retro the way Daptone’s gut-bucket productions do. As yesterday as they sound, in mining older styles, Saadiq reintroduces his audience to sounds no longer so ubiquitous on the radio as in their heyday, which makes them fresh again. For those who never knew what all the fuss was about, The Way I See It may even sound like the future of soul. As long as Saadiq keeps making records, that future can last as long as it wants.
The Way I See It