Staff Picks: Music
“We’ve been doing this thing longer than you’ve been alive, propelled by some mysterious drive,” is the first couple lines of “Longer Than You’ve Been Alive” the first track from the Old 97’s newest record Most Messed Up. Celebrating their 20th year as a band, the Old 97’s have released one of the best records of 2014. Fans of Americana, punk (Tommy Stinson from The Replacements plays on a few tracks), and alt-country will be happy to discover that the boys from Texas have messed those genre up into a pure raucous ride. Songs like “Let’s Get Drunk & Get It On” and “Wasted” are anthems to the hard life of a band strumming hard through two decades of music. “Guadalajara” and “The Ex of All You See” tell the torrid tales of love and loss on the road. After the final song has ended you will have felt like you have listened to a musical biography of a most messed up, but amazing band. In fact, the chorus of the lead track sums the entire record nicely, “Rock and Roll’s been very very good to me, the open road’s the only place I wanna be.”
Most Messed Up
Looking for artists similar to those you already know about and enjoy? Well, we’ll try to make suggestions that expand your musical listening experience. Don't forget, you can access music from KPL through compact discs, free MP3 downloads (Freegal) and internet streamed albums via Hoopla.
• Liked Beach House, try Wye Oak
• Liked Steve Earle, try David Allan Cole
• Liked Pavement, try Parquet Courts
• Liked Solange, try Kelis
• Liked Bruno Mars, try Fitz and the Tantrums
• Liked early Pink Floyd, try Tame Impala
• Liked Lorde, try Sharon Van Etten
If you dig the music of The Black Keys, Caitlin Rose, The Ronettes, Wanda Jackson, and She and Him, head on over to our free streaming service called Hoopla and borrow the newest album from Nikki Lane, a new singer from Nashville whose songs strike a nice balance between vintage country and girl group pop. Produced by Dan Auerbach (guitarist from The Black Keys) All or Nothin’ will be here in compact disc format soon but if you can’t wait, stream it from Hoopla now for free.
All or Nothin'
I was so very pleased to find a copy of Roy Harper’s latest, Man & Myth, among the new releases in the library’s Music collection. Roy has been a favorite of mine since the 1970s and his work is always full of heartfelt imagination and creative surprise.
Who is Roy Harper? I saw a review once that described him as “the consummate stoned folk poet,” but that was a long time ago. More accurately, Roy is an introspective English singer songwriter, who for decades has lurked in the midst of the British music scene (sort of an Irish Neil Young in a way), swapping licks with his friends (many of whom just happen to be among the biggest names in the business), while himself seemingly happy to remain a folk hero in the shadows of relative obscurity, especially on this side of “the pond.”
So about these friends… Roy has worked for years with his good friend Jimmy Page (who gave “Hats Off” to Roy on the third Led Zeppelin album), and countless others who have assisted him along the way (and vice versa); his longtime friend David Gilmour (Pink Floyd’s “Have a Cigar” was sung by Roy), Pete Townshend (who plays on Man & Myth), the late Ronnie Lane and Keith Moon (both of whom appeared with Roy at a special Valentine’s Day concert, gosh, 40 years ago today), and others.
Roy’s music is not easy listening by any stretch of the imagination. His songs often require work; they make you think, which at times perhaps makes him another candidate for that “artists’ artist” category. Still, the vast majority of Harper’s work is quite approachable and indeed very beautiful. In 2013, Roy received a prestigious BBC Radio 2 Folk Awards Lifetime Achievement Award for having made “an enormous and lasting contribution to folk music over a sustained number of years.”
And about the album… Man & Myth, Roy’s 22nd studio album and his first in 13 years (not taking into account a dozen or so live recordings and several compilations), finds him in familiar territory, reflecting on life, love, loss and living (Roy is 72 now). “I thought I had retired...,” he stated in a press interview, “...I was inspired to write again around 2009, by many of the younger generation finding me and asking, who are you?” Uncut called the songs on Man & Myth “poignant contemplations on time and its passing, friendship, love, betrayal, memory.” Another reviewer wrote, “...this isn’t a ‘return to form’. It’s business as brilliant [as] usual.”
Man & Myth has been included on several “Best Of 2013” lists, including MOJO and UNCUT (and my own, of course), and the album has earned several top reviews by the European music press. Four tracks on the album were recorded (interestingly enough) in Laurel Canyon near Los Angeles (Roy seldom appears stateside), and the others were done back on home turf in County Cork, Ireland. The latter tracks are among my favorites, especially “Heaven Is Here” > “Exile,” a 23 minute epic exploration based in Greek mythology.
Here’s a sample from Man & Myth...
New to Roy? If you like acoustic stuff, I highly recommend that you track down a copy of Stormcock, his 1971 acoustic opus with Jimmy Page (billed as “S. Flavius Mercurius”), which is still viewed as one of his best efforts. Or if a full band is more to your liking, try The Unknown Soldier (1980)—perhaps Roy’s most “commercial” effort to date, and Once (1990), both of which feature David Gilmour and Kate Bush.
“Girl from the North Country”
Here’s Roy Harper performing a cover of Bob Dylan’s “Girl from the North Country” recorded by BBC4 on September 26th, 2005, at the “Talkin’ Bob Dylan Blues: A Bob Dylan Tribute Concert” in London.
And if you’re still with me, here’s a treat… some recently discovered footage of Roy performing live in the studio about 1969 or 1970…. (there are five tracks in all). Enjoy!
Roy Harper: Man & Myth
Looking for artists similar to those you already know about and enjoy? Well, we’ll try to make suggestions that expand your musical listening experience by connecting like-sounding artists together.
• Liked Jackson Browne, try Dawes
• Liked The Avett Brothers, try The Felice Brothers
• Liked Neko Case, try Laura Marling
• Liked Miles Davis, try Chet Baker
• Liked MGMT, try The Flaming Lips
• Liked The Cocteau Twins, try Beach House
• Liked New Order, try The Knife
• Liked Bob Marley, try Peter Tosh
• Liked Billie Holiday, try Diane Krall
• Liked The White Stripes, try Wanda Jackson
• Liked Wilco, try Fleet Foxes
• Liked Pink, try Robyn
• Liked Bon Iver, try Elliott Smith
• Liked Mumford and Sons, try The Head and the Heart
• Liked Frank Sinatra, try Kurt Elling
the head and the heart
C’mon, who doesn’t love Neko Case? There are just so many reasons for why you should. If for some unfathomable reason, you’ve been able to live this long having never heard of her and the wonderfully rich music that she makes, pick up everything we have, especially her newest album, the absurdly, long winded titled The Worse Things Get, The Harder I Fight, The Harder I Fight, The More I Love You.
The Worse Things Get, The Harder I Fight, The Harder I Fight, The More I Love You
If you like your music with a bit of country dust on top, that leaves a folksy aftertaste shot through with a rootsy twang and a side of acoustic lyricism and sweet melody, check out these acclaimed musicians and their new and upcoming releases.
Dream River, Bill Callahan
Magpie and Dandelions, The Avett Brothers
Gone Away Backward, Robbie Fulks
The Worse Things Get, The Harder I Fight, The Harder I Fight, The More I Love You, Neko Case
About Farewell, Alela Diane
Honky Tonk, Son Volt
Wilderness, Handsome Family
Two of today’s best musical young guns that have delivered strong albums this year are Jake Bugg and Caitlin Rose. They don’t shy away from their influences but they don’t let those who paved the musical highway for them subsume their individual voices either. Gritty and fashionable enough for the with-it crowd and accessible enough for those who have an Oasis or Taylor Swift album in their collection, these two will hopefully be in it for the long haul. Bugg has been compared to Dylan (who hasn’t?) but his brand of neo-folk has as many roots in Brit Pop. Sure, he evokes both Dylan and Donovan from time to time but he makes it work because of his lyrical earnestness and the sheer catchiness of the tunes. Rose also wrote the album that Swift only can dream that she had created. These are confidently written songs sung by a fresh voice who no doubt has listened to a few Jayhawks albums over the years. Check them both out!
A friend from Seattle turned me on to the music of Damien Jurado a couple of years ago so I was excited to stumble on a new cd of his, Maraqopa, as I browsed the KPL new music section. Now I can't stop listening to this mixture of what Larry Fitzmaurice at Pitchfork calls, "soft-psych freak-outs, rainy folk, haunted 1960's pop, and slow-burning oddball sparseness." I googled Jurado and found out I'm a Johnny-come-lately to his music as he has been around since the mid 90's, releasing albums with Sub Pop Records and now with a label based in Indiana called Secretly Canadian. If you like Neil Young and the Fleet Foxes give Jurado a try or come and browse our music section and see what you discover.
The singer Emmy Rossum is known mostly for her various television (Shameless) and film performances (The Phantom of the Opera) but she also has the trained pipes of an accomplished singer. We’re not talking about the sort of actress, who uses their fame to influence the music industry to play along with their middling vocal talents (see: Scarlett Johansson). Rossum can truly bring the noise as she clearly shows in her new album Sentimental Journey, a collection of old timey jazz standards (Autumn Leaves, Nobody Knows You When You’re Down and Out) and retro-swinging country (Things, Pretty Paper). The album is on order so keep an eye out for it. It will be here soon. Listen to some of her renditions here.
One of the best alt-country CDs of 2012 was Rhett Miller’s, The Dreamer. Miller, the longtime front man of the Old 97’s, has once again proven that he is one of the best songwriters in music. What I love best about Miller’s solo material is that he is not afraid to dabble in many different music styles, like power pop and folk. The Dreamer is pure alt-country and closer to a new Old 97’s record than his previous releases.
The first track “Lost Without You” starts slow then picks up with a twangy edge that mixes perfectly with Miller’s voice. The song “Out of Love” blends aspects of power pop with the unmistakable instrumentation of bluegrass. “As Close As I Came to Being Right,” a duet with the great Rosanne Cash, is as close as you can get to a perfect alt-country love song. Miller is an underrated talent that deserves more accolades for his contributions.
After listening to The Dreamer you will realize that at its core, Miller has crafted a letter to the idea of love in all its forms. Check it out and treat yourself to a late Valentine.
Rhett Miller - The Dreamer
I have always been a big
Norah Jones fan. She is one of the few artists to
have passed a tough test in my household: I can play Come away with me in my alarm clock every morning to
wake me up and I still enjoy the CD. There are not many CDs
that stand up to this test. So you can understand my pleasure
when I discovered a Norah Jones CD that I hadn't heard before in
the KPL collection. It's called Featuring and is a CD of duets and collaborations between
Jones and a wide variety of singers and musical groups. And
when I say "variety", I mean it! This CD is so neat in that
it showcases how versatile Jones is with her distinctive and
soulful voice pairing her with artists and groups such as
Ray Charles, the
Foo Fighters, and
The CD starts strong with a track from
The Little Willies. Jones and friends formed The Little
Willies in 2003 and came out with their second album For the Good Times in 2012. (You can also find
them on another excellent CD in the library's
collection: Putumayo presents Americana. It's bound to put you
in a good mood!) I was unfamiliar with Sasha Dobson prior to
this CD, but her duet, Bull Rider, is
fantastic! I have requested her CD through MeLCat and look
forward to become more acquainted with her music. Halfway
through the CD, Jones and friends adopt a totally different style
in Take Off Your Cool with
Outkast, Life is Better with
Q-Tip, and Soon the New Day with
Talib Kweli. A few songs later, there is a duet with Ray
Charles…need I say more? Who doesn't like Ray Charles??
But then, in my humble opinion, the CD reaches its pinnacle with
track 15: Creepin' In with
Dolly Parton. I love Dolly. Always have and always
will. This song makes me want to dance and sing over and over
again as I play it on repeat.
Basically, what I hope this blog conveys, is that this
compilation of songs is wonderful. Each and every song is as
delightful as it is different. I highly recommend this CD for
your listening pleasure.
We have a great music collection here at KPL. There are so many wonderful singers and musicians that don't may not make it onto the radio but whose music is fantastic. Time and again, I stumble upon a new group one way or another and happily discover KPL has their CD available for me to check out. One group that I have really appreciated the last few years and have introduced my family to is a folk group called the Wailin' Jennys. The first time my mom heard one of their CDs she asked me who they group was. I told her it was the Wailin' Jennys to which she replied, "But…who is Waylon Jennings singing with?" I explained that it was "wailin'" as in "cryin'" and the plural of the name Jenny…though none of the members are named Jenny.
The group started when the trio came together for a onetime evening performance at a guitar shop in Canada. They were such a success they joined forces and have been producing great music since. The group members are Nicky Mehta, Ruth Moody, and Heather Masse, each of which comes with a distinct training and sound. We have three of their CDs at the library: their first CD 40 Days, Firecracker, and Bright Morning Stars which came out in 2011. I also recently discovered that the library owns The Garden by band member Ruth Moody. I checked this CD out as well and thoroughly enjoyed it.
I have favorite songs that I find myself listening to over and over and over again on each CD. You get an idea of the Wailin' Jennys tight harmony in their first song on 40 Days, their debut CD, titled One Voice. This CD also has a great cover of Neil Young's Old Man and my very favorite Wailin' Jennys song Ten Mile Stilts. I find Starlight and Apocalypse Lullaby on Firecracker hauntingly beautiful. Their style seems a little jazzier for Bright Morning Stars. Mona Louise and Cherry Blossom Love get stuck in my head very easily and after listening to them I find myself tapping my toes and singing them in my head for hours. As for Ruth Moody's CD, I like every song…a lot. On this week after Thanksgiving, I am grateful for the wonderful CD collection we have at KPL and the great music I have listened to because of it.
I have this weird passion for obscure, offbeat Christmas recordings. Bing Crosby and Paul McCartney are all well and good, but how about Jimi Hendrix playing “Little Drummer Boy?” Well, at least you’re on the right track. Or how about Robert Fripp doing “Silent Night” ala Frippertronics (yes, I mean the old school red flexi disc)? You’re getting there. Or… how about The Residents’ original “Santa Dog” single?? Now, that’s what I’m talkin’ about. The weirder, the better.
But truth be known, the lighter new agey type of ambient instrumental holiday stuff… you know, solo guitar, solo piano, acoustic ensembles… is one of my many guilty pleasures (don’t tell anybody, ok?). I have lots, but there’s always room for more. So that’s where this week’s Friends Finds come in. Of just that sort, I managed to grab a fresh copy of Ottmar Liebert’s Poet & Angels (1990) on Higher Octave. And what would the acoustic holidays be without the stuff on Windham Hill(?), so I snagged a couple of seasonal samplers that I didn’t have… A Winter Solstice Reunion (1998) with all the label regulars… Will Ackerman, Darol Anger, Liz Story, etc.; and Winter Wonderland (1999), a more mainstream but still likeable compilation with David Arkenstone, Alex de Grassi, Tuck & Patti, and others. At a buck apiece, I couldn’t go wrong.
And just to satisfy my need for “the road less traveled,” I also grabbed a copy of the Roches’ We Three Kings (1994) on Rykodisc. (Actually, it’s not weird at all… the Roche sisters are amazing.) And the best part is, there are plenty more where those came from (in fact, there’s a whole cart full!). So stock up, the holidays are coming!
Consider this little series my own version of “Flea Market Finds,” an ongoing report of the latest bargains unearthed in the lower level of Central Library. What a treasure we have (quite literally) in the Friends Bookstore. When you can grab high quality books, music, and movies for little more than pocket change, life is good. And all the proceeds go to a great cause, too. So shop often; you never know what you’ll find. And stay tuned… I’ll let you know what I find!
Even the most diehard music aficionados probably couldn’t tell you who Bill Fay was up until a month ago (I certainly couldn’t), before he and his music began to pop up in places like Mojo Magazine and NPR. Fay is a British singer-songwriter who comes from a long and storied list of forgotten or historically marginalized musicians whose little known work grew out of the legitimating influence of the artist appreciation network. This is how it works: the cult legend finds a famous rock-star like Wilco’s Jeff Tweedy (Tweedy has covered Fay’s songs in the past) to provide you a song of his own that you can cover (Jesus Etc.) and duet with him on your long awaited, comeback album. Your street cred will blow up and your Youtube hits will soar because of everyone wanting to go back in time (or at least to the internet) to listen to all of those great songs that you wrote that everyone had originally forsaken at the time of their release.
Fay’s early 70’s albums sound eerily like a melodic fusion of Dylan (if he played piano) and Wilco’s more plaintive tunes. They tend to be somewhat downbeat and often echo the sound of a lost but brilliant soul trying to stay true to his art while the music industry closes its door on his vision. Fay’s new album Life is People is worth a listen and has a much more upbeat vibe to it than his brooding material from long ago. Here is Fay's heartbreaking rendition of the Wilco song.
Life is people
Richie Furay’s 2006 release, The Heartbeat of Love, was this week’s worthwhile find at the Friends Bookstore. Ten tunes written by Richie and Scott Sellen, plus two old Poco standbys, performed with help from a bunch of familiar friends; Timothy B. Schmidt, Neil Young, Kenny Loggins, Paul Cotton, Sam Bush, Stephen Stills, and others. No new musical territory here; just a worthwhile batch of nicely executed Southern California country rock tunes. If you ever spin the likes of Poco, Buffalo Springfield, Eagles, or Loggins & Messina, this would fit right in. And it even came packaged in a nifty hardbound mini-book – definitely a worthwhile find!
Consider this little series the KPL equivalent of “Flea Market Finds,” an ongoing report of the latest bargains unearthed in the lower level of Central Library. What a treasure we have (quite literally) in the Friends Bookstore. When you can grab high quality books, music, and movies for little more than pocket change, life is good. And all the proceeds go to a great cause, too. So shop often; you never know what you’ll find. And stay tuned… I’ll let you know what I find!
Heartbeat of Love
There’s a lot to dislike about the 1970’s including bell bottoms, a gas shortage, and poorly managed sideburns to name but a few but musically speaking, the radio has never been as varied as it was during this decade that saw the birth of punk, progressive rock, disco, Philly soul, funk, and a slew of fantastic singer songwriters like Joni Mitchell, Neil Young, Nick Drake, Harry Nilsson, Billy Joel, Carol King and Elton John. One of the least recognized legends of the Nashville music scene of the early seventies was Mickey Newbury, whose contributions to Outlaw Country is well documented on Drag City’s recently released An American Trilogy. Like Townes Van Zandt, Newbury’s fans have mostly been fellow musicians who revere his beautifully crafted songs. Those who sing his praise include Will Oldham, Kris Kristofferson and Steve Earle. Known as the first “Hippy-Cowboy”, Newbury bucked the Nashville music establishment by doing things his way. He found little commercial success for his recording of the seventies but critics have long praised his touching ballads and lyrical writing. Those who have sung and recorded Mickey Newbury penned songs include Linda Ronstadt, Johnny Cash, Bill Monroe, Roy Orbison, David Allan Coe, Willie Nelson and many more.
An American Trilogy
Josh T. Pearson’s stark country-folk album The Last of the Country Gentlemen is a plaintive and personal work that calls to mind the rustic laments of down-and-out troubadours like Townes Van Zandt. Pearson’s approach is to lift the veil on his bittersweet melancholia with a pained voice and delicate finger plucking of his acoustic guitar, drawing in the listener to his raw confessions on love, loss and redemption.
The Last of the Country Gentlemen
“Once in a while you get shown the light, in the strangest of places if you look at it right.” —Robert Hunter, ca. 1974
Advertisements in Rolling Stone for the double live “Steal Your Face” album proclaimed, “There is nothing like a Grateful Dead concert.” I also remember reading an article in one of the hi-fi magazines at the time about the Grateful Dead’s famous “wall of sound” state-of-the-art concert sound system. While I might have been a bit too young to have seen the Grateful Dead during the hippie heyday of the late 1960s, I made it a goal to attend at least one of their shows during my lifetime. That goal was realized a few years later in 1979.
In the years that followed, I was fortunate enough to see the original band four times, a somewhat modest record when compared to some, I realize. (I know people who saw them play hundreds of times!) Indeed, there was always something special about seeing the Grateful Dead play live, especially out-of-doors during the summer. The sets were leisurely, and unlike most typical rock concerts, each event carried with it a unique “festival” atmosphere.
Sadly, those days are gone. Since Jerry Garcia’s passing in 1995, remaining band members have made several respectable attempts to carry on in various incarnations. While these projects are fresh and interesting, the era of the original band has clearly passed.
Yet, there are times when the music of the Grateful Dead is still the perfect complement to a warm summer afternoon with a cold beverage, and thankfully the legacy of those spectacular live shows lives on through an impressive collection of recordings. Even though the band only released a dozen studio albums during the course of its thirty year career, listeners are blessed with a plethora of live recordings—nine “traditional” live albums, more than a dozen concert films and videos, plus more than a hundred official archive releases (not to mention the many thousands of amateur recordings from the famous band-approved taper’s sections.)
KPL provides a generous cross section of the Grateful Dead story; in print, on film, and on record. Several books in the collection document the life and times of the band and its various members. Of particular note are Searching for the Sound : My Life with the Grateful Dead by bassist Phil Lesh, A Long Strange Trip: The Inside History of the Grateful Dead by Dennis McNally, and Jerilyn Lee Brandelius’ Grateful Dead Family Album. Films include The Grateful Dead Movie (a film version of 1974 “Steal Your Face” tour), and a pair of View from the Vault releases, documenting the band’s 1990 appearances at Three Rivers Stadium in Pittsburgh and Shoreline Amphitheatre in Mountain View, California. For listeners, the collection includes decent retrospectives like Flashback with the Grateful Dead, The Very Best of the Grateful Dead, and Skeletons from the Closet. You’ll even find an archival release of a concert at the famous Fillmore East in 1969. “What a long strange trip it’s been.”
The Grateful Dead
I love to make music mixes for my friends. When I can get the response, “Wow I never would have listened to that song if it wasn’t on the mix you made me,” I feel like I have done my part to push good music out into the world. My seven year old daughter considers a good mix one in which you can roll down the windows and turn up the volume. Below is a playlist that consists of what I feel are the best tracks of the first six months of 2011. Mix it up and roll down your windows.
1. Weekend by Smith Westerns (Dye It Blonde)
2. Take Me Over by Cut Copy (Zonoscope)
3. Rolling In The Deep by Adele (21)
4. Sad Song by The Cars (Move Like This)
5. Discoverer by R.E.M. (Collapse Into Now)
6. Me, Me, Me by Middle Brother (Middle Brother)
7. Make Some Noise by The Beastie Boys (Hot Sauce Committee Part Two)
8. Dig A Little Deeper by Peter Bjorn and John (Gimme Some)
9. Don’t Carry It All by The Decemberists (The King Is Dead)
10. Barton Hollow by The Civil Wars (Barton Hollow)
11. Sim Sala Bim by Fleet Foxes (Helplessness Blues)
12. Shadow of Love by Sloan (The Double Cross)
13. Helena Beat by Foster the People (Foster the People)
14. If I Wanted Someone by Dawes (Nothing Is Wrong)
15. Future Starts Now by The Kills (Blood Pressures)
16. Till I Get There by Lupe Fiasco (Lasers)
17. Damn These Vampires by The Mountain Goats (All Eternals Deck)
I've discovered some of my favorite music and artists from watching television. When songs play in the background or at the start or end of a show, I often search for the lyrics online to find the name of the song and the performing artist. This has served me well. House and Fringe (as well as various commercials) have provided insight to artists and performers such as Massive Attack, Damien Rice, Editors, Langhorne Slim, and Ryan Adams.
When watching a recent episode of NCIS, Cote de Pablo's character, Ziva David, was singing Temptation--a Tom Waits creation. So, in true form, I went online to search for it to see where I could find a version of her singing it (beautiful rendition!). And, that is when I found that NCIS has two soundtracks available. I was able to easily check these two CDs out through our MeL interlibrary loan system.
While I recognized artists such as Jakob Dylan, Otis Redding, Bob Dylan, Keaton Simmons, Sheryl Crow and Norah Jones, I was able to add artists such as Oasis, Blue October, and Sharon Little to my list of new folks to investigate.
NCIS: The Official TV Soundtrack
The latest release from Emmylou Harris (her 21st studio album) is a collection of heartfelt tales of love and tragedy; stories about lost friends, family and deep-seated faith. Recorded in the home studio of her producer Jay Joyce, the production is lush and spacious, and her signature voice shines as always. The sound very much recalls the atmospheric feel of her work with Daniel Lanois, which is amazing considering that only three musicians play on the record; Harris, Joyce (guitars and keyboards), and drummer/keyboardist Giles Reeves.
Ms. Harris penned eleven of the thirteen songs herself (unusual since she’s only ever recorded a handful her own songs), but she includes a couple of tasty covers here, too... “Cross Yourself” is written by Joyce and the title tune is by Canadian singer/songwriter Ron Sexsmith. Emmylou says that she finds songwriting difficult, but honestly, she should do more of it—her writing is articulate and her songs are genuine.
Standouts for me include the album opener, “The Road,” a fond remembrance of her early years with Gram Parsons. (If you’re quick, you can still grab a free download of this song on Emmylou’s website.) “Darlin’ Kate” is a tribute to her close friend Kate McGarrigle, who recently died of cancer. “My Name is Emmett Till” recalls the story of a 14-year-old African-American boy who was brutally murdered in 1950s, and considers “all that might have come” had he been allowed to live. “The Ship on His Arm” explores the life and love that her parents perhaps shared during the Second World War, while “Goodnight Old World” (written with longtime Steve Winwood collaborator Will Jennings) hopes for a better world for newer generations (Harris recently became a grandmother).
Like a glass of Pinot and a nap in the sun, Emmylou’s voice soothes the soul—melancholy never felt so good. Yet after 40 years as a professional musician, 25 albums and a dozen Grammys, she still drives a Hard Bargain.
Emmylou Harris: Hard Bargain
I’ve been listening to the music of Gram Parsons lately since I watched the documentary film Gram Parsons: Fallen Angel. Parsons musical gifts and passion for country and roots music was a major factor in his influencing of such legendary bands as The Rolling Stones and The Byrds. He is cited as the one who helped to usher in the genre of country rock during the late sixties when he worked with The Byrds and The Flying Burrito Brothers. He later introduced to the musical world a young singer songwriter named Emmylou Harris. Parsons lived fast and died young but he left behind two very strong records, GP and Grievous Angel. If you’re interested in musical documentaries, you may enjoy:
Kurt Cobain: About a Son
The Velvet Underground: Vanishing Point
No Direction Home: Bob Dylan
Genius Within: The Inner Life of Glenn Gould
The Devil and Daniel Johnston
The Heart is a Drum Machine: A Documentary Film About Music
Here is a video clip from the documentary.
GP [sound recording] ; Grievous angel
As a collector and (ahem) connoisseur of “underground” Bob Dylan recordings since the 1970s, I was of course thrilled with the official (and thankfully ongoing) release of The Bootleg Series. Now nine volumes and counting, these releases represent the hidden side of Dylan’s work – especially during the early years. Akin to browsing through an artist’s sketchbook, these recordings give us a fresh glimpse at Dylan’s writing and recording process and a chance to hear otherwise lost performances.
As an addendum to this historic series, Columbia has just released the stand-alone version of Bob Dylan In Concert - Brandeis University 1963, a previously unreleased and seemingly un-bootlegged early live set.
On May 10, 1963 – 48 years ago today – Bob Dylan performed at the Brandeis First Annual Folk Festival in Waltham, Massachusetts, just two weeks before the release of his second album, The Freewheelin’ Bob Dylan. A seven inch reel-to-reel tape recording of Dylan’s performance that day sat tucked away on a shelf in Rolling Stone magazine co-founder Ralph J. Gleason’s home for more than four decades.
Recently discovered, these recordings represent a glimpse of how Dylan sounded while he was still touring the small clubs and coffee houses on the brink of fame. Michael Gray, author of The Bob Dylan Encyclopedia, calls this “the last live performance we have of Bob Dylan before he becomes a star... way back when Kennedy was President and the Beatles hadn’t yet reached America.”
So how does it sound? In a word… amazing. Bob… his guitar… his harmonica… and seven audible slices of 1963. The version of “Masters of War” is alone worth the effort.
Bob Dylan in Concert
I’d like to throw the spotlight on some recent and upcoming releases from the world of non-radio-friendly musicians that I’m excited to be ordering for the rock and folk/country collections. For the touchy feely folkies and pastoral Americanaists out there, you’ll want to get your hands on Fleet Foxes’ Helplessness Blues (garnering big buzz and positive reviews), Jason Isbell and the 400 Unit’s Here We Rest, Bill Callahan’s Apocalypse, Steve Earle’s I’ll Never Get Out of This World Alive, Okkervil River’s I Am Very Far, and Emmylou Harris’ Hard Bargain. For those who prefer blips, sugary melodies, fuzzed guitars, and a louder volume on their wax platter, keep your eyes peeled for the newest long players from Panda Bear, The Raveonettes, TV on the Radio, The Pains of Being Pure at Heart, Yuck, Telekinesis, Foo Fighters, PJ Harvey, Radiohead, and Bright Eyes.
The People's Key
Music lovers first heard John Grant’s amazing voice when he fronted the Denver-based band The Czars. The Czars were signed to the Bella Union label and released several critically acclaimed records throughout the late nineties and early 2000’s. Grant has now gone solo and released The Queen of Denmark, an album which received Mojo Magazine’s album of 2010 award. Fans of The Red House Painters, early Elton John, and 1970’s soft rock will enjoy Grant’s bathetic musings and one of a kind baritone.
Queen of Denmark
I was not terribly impressed with the musical output from 2009, but after compiling my Top Ten CDs from 2010 I discovered a bunch more that were better than most of last year’s list.
Since I could only offer ten selections for the official KPL Top Ten page, I present ten more great CDs from the past twelve months.
11. Lady Killer by Cee Lo Green
12. Body Talk Pts. 1 & 2 by Robyn
13. Adrift by The Red Sea Pedestrians
14. Majesty Shredding by Superchunk
15. Of The Blue Colour of the Sky by OK Go
16. The Guitar Song by Jamey Johnson
17. Transference by Spoon
18. I Learned the Hard Way by Sharon Jones & The Dap Kings
19. Broken Hearts & Dirty Windows: Songs of John Prine by Various
20. Maya by M.I.A.
It took two tries, but I’m hooked on the music of the Fruit Bats on their cd The Ruminant Band. I hear touches of Neil Young and country rock “Waiting on a Friend” era Rolling Stones accompanied by a prog rock-voiced lead singer.
I was thinking that I should mention something about what the songs are about, but I realize I have no idea. I mostly listen to music while I’m doing something else so it’s the music that affects me more than the words.
Check it out, maybe twice. It grows on you.
Fruit Bats “The Ruminant Band”
As a senior in high school I heard a cover of Madonna ’s “Like A Prayer” by the singer John Wesley Harding and was immediately hooked by his version of folk, or as he sometimes calls it “gangsta folk.” I immediately dived into Harding’s catalog and discovered a plethora of brilliant songs that were intelligent, witty, tender, historical and sardonic. In college, I was fortunate to see him live and experienced not just a concert, but what felt like a dialogue between Harding and me. I scraped up the money to purchase a concert shirt (I still have it) and that summer my future wife approached me while I was wearing it because she was also a fan.
Throughout the years I have traced the path of who I consider one of the most underrated musicians of the past 20 years. I have read the two fabulous novels he has written under his real name, Wesley Stace, and purchased every new CD. Imagine my surprise when he agreed to participate in our long running concert series and speak about his books the following night.
I encourage you to come to hear Wes speak about his music and books on February 17 and 18 . You will discover an extremely talented musician who has shared the stage with such greats as Bruce Springsteen and has been praised by literary critics for his writing. Space is limited at both FREE events, so come early.
Who Was Changed and Who Was Dead