Staff Picks: Music
Andrew Bird’s music is in many ways unremarkable, in the sense that he like so many other musicians working today, crafts quirky, folk-pop with lyrics that strike you as urbane and literary. What differentiates Bird’s sundry brand of high-indie folk within this excessively saturated genre, packed full of overhyped, one-dimensional signer songwriters, stems from his classical music training, specifically his employment of the violin and other non-traditional rock and roll instrumentation (whistling and glockenspiel e.g.). Such an eclectic background provides Bird’s music with so much more compositional depth and textural nuance than his contemporary peers. Sample some of Bird’s material in this video clip at Pitchfork Media. If you’re a fan, Bird is slated to play the Kalamazoo State Theater on October 18th.
Noble beast [sound recording]
Admittedly, I don’t often locate myself in the choral music section of a store. However, after having attended the annual holiday concert hosted by the First Presbyterian Church and performed by WMU’s award-winning University Chorale singers, my appreciation for this deeply calming and ethereal form of music has been greatly expanded. A perfect compliment to emptied, commercial holiday music, take a chance, like I did, and endeavor to explore something new about the variety and wealth of our arts community.
Song for Athene
My first encounter with the American composer Philip Glass was several years ago and honestly, one of shock and awe. Clearly, at the time, I wasn’t ready for his brand of repetitive music structures strung together with an odd assortment of instrumentation and vocal textures. Now several years later, Glass’ eerily minimalist symphonies, hauntingly beautiful film scores (The Hours, Kundun, Fog of War), Eastern inflected rhythms, and evocative ensemble compositions have become some of my favorite classical tracks to listen to.
John Adams is another wonderful composer whose work I’ve recently embraced. His music is often thrown under the heading “minimalism” along with Glass and notable avant-garde musicians Stephen Reich and Terry Reily. Adams’ music, like Glass’ work, tends to generate its melodic color from alterations or subtle tweaking of a foundational harmony. Both deeply expressive and at times jarringly dark, Adams' music has been both widely honored and praised for its humanist themes and boundary-expanding nature.
The Dharma at Big Sur
We were privileged to host the Pacifica Quartet on July 8, in a concert and lecture made possible by Fontana Chamber Arts. The quartet's virtuosity and exuberant style thrilled the audience, which ranged in age from infants to elders. One patron remarked after: "Nothing beats a live performance." How true, and particularly so for chamber music which has been called the ultimate democracy. There's no conductor in a chamber ensemble, so all members must cooperate and collaborate. Each musician's contribution is unique. Each musician and his complete focus are needed throughout the piece. A live performance lets you appreciate this special relationship and the lively musical conversations that take place among the members.
Our next concert at KPL will be August 12 when we welcome singer songwriter Rachael Davis. Rachael's been singing on stage since the age of two. Among her accomplishments is taking grand prize in the Telluride Bluegrass Festival's Troubadour Contest.