One’s take away from writer/director Sarah Polley’s brilliant, semi-autobiographical Stories We Tell may be that the film is about family dynamics and the complex secrets they often keep hidden. But what the film is really about is the way in which our lives are like stories, often interpreted and consumed differently by various actors involved within the circle of a particular narrative. The 'truth' about Sarah's origins becomes increasingly unstable as memories (some of which may be unreliable) of the past highlight the relativistic and nuanced nature of individual perspectives and experiences. Everyone's take on Sarah's mother is bit different, which is to say, she struggled to conform to any singular mold or characterization. The film works very much like Tim O’brien’s masterful fictional memoir The Things They Carried, a novel set in the Vietnam War but a book concerned primarily with the importance of storytelling as a way of understanding splintered, de-centered realities. It’s a wonderful film and one of the best of the year.
Stories We Tell