The New York City art world in post-war America was dominated by the rise of Abstract Expressionist painting. Led by iconic painters like Jackson Pollock, Mark Rothko and Willem de Kooning, abstract painting and its theoretical exponents tended to be an exclusive man’s club. However, there were several female painters who emerged during the late fifties and early sixties who are now recognized for their creative talents and artistic output. One of these pioneering figures was Joan Mitchell, a painter whose gestural works often hang upon the same museum walls today as her better known male counterparts. This documentary weaves together a strong and personal portrait of her life as a midcentury painter working through her romantic relationships and the frustrating battles with the gender politics of the art world. She spent much of her life in France, finding inspiration from nature and the physical universe.