Staff Picks: Movies
Staff-recommended viewing from the KPL catalog.
Carried Away is a story about a family and their relationships with each other. It starts with Ed Franklin coming home from Hollywood to Fort Worth Texas. I don’t think we know why. We see that he is a bit of a loser. When he is waiting for his mother to pick him up from the airport we hear him on the phone telling someone about his new play where he is playing all the parts. Just listening to him describe the play you know it will be a boring disaster. We find out the person he is talking to is his ex girlfriend and they have been broken up for months. Then we meet the family, the mother who is not happy with her husband, the younger brother who is awaiting trial for selling pot and seems to be nice and caring, the other brother, who is built like an ox and reverts to physical actions when trying to make his point. Then there is the Father who is a dominating patriarch, a that’s it end of discussion you will do it my way kind of guy.
We find that the grandmother is in a nursing home and she is not happy there. Ed had taken care of and lived with his grandmother from when he was age 8 to age 17. Ed decides to take his grandmother out of the nursing home and take her to live with him in Hollywood. He loads her up in the car and off they go. The father finds out and is furious, the two sons get in the car with him and they take off on a road trip to set things right. What follows is humorous and touching. This isn’t a block buster type of movie but I enjoyed it. Give it a try.
I knew very little about Blue Ruin when I went to see it at Kalamazoo’s Alamo Drafthouse theater—just that it was a revenge thriller that had been widely beloved by critics. It was one of the “Drafthouse Recommends” featured titles, which—for movie buffs like me—is a stamp of approval worth heeding. And wouldn’t you know it: this edge-of-your-seat thriller has turned out to be the best thing I’ve seen so far this year. I appreciated not knowing even the basic premise of the film going into it—a rarity in this age of oversharing, spoiler-y trailers—so I will tell you very little about it in hopes that you will be pleasantly surprised as well.
Here’s what I’ll share: As I’ve said, it’s a revenge thriller, so you know somebody wants to get back at somebody else, but it will take that premise in surprising directions; it’s bloody, so you’ll need to be able to stomach some gore; and perhaps most importantly, you’ll get to see Eve Plumb, best known for playing Jan on The Brady Bunch in her youth, wielding a machine gun (who doesn’t want to see that?). So check it out: Blue Ruin, available soon on DVD here at KPL, and keep an eye out for more “Drafthouse Recommends” titles. The Alamo brings a lot of great films to Kalamazoo that no other theater does. As a die-hard movie fan, I rarely go anywhere else.
Under the Skin is a new film that will figuratively get under your skin with its nightmarishly surreal images and discomfiting plot. Simply put, it’s a slow-burning, almost dialogue free collection of bizarre images that possess a creepiness that leaves its evocative residue all over your mind well after the credits have rolled by. The film is careful to make sure that the weirdness is couched in ideas, specifically notions about perception and how we look at one another often from unfamiliar perspectives. Ultimately, the film feels as though it should have been fleshed out into something on an expanded scale with a more substantive engagement with its ideas. A perfect film, no. A must-see film, absolutely.
Under the Skin
As with most of the wonderful films that have been made under the ESPN film series 30 for 30, Youngstown Boys is a moving examination of the relationship between power, money, urban neglect and the role that larger socioeconomic forces play in molding the lives of individual athletes as they develop both on and off the proverbial field. These are not films about sports as such but rather powerful documentaries that explore the lives of the famous and infamous through a sociological lens, positioning their subjects within a broad framework for understanding the causes and effects of noteworthy events. This is the story of the rise and fall and rise again journey of a successful college football coach and his star player. It’s also a story all too common in today’s world, where young, inner-city athletes are confronted with difficult challenges and choices in regards to their future. Running back Maurice Claret and coach Jim Tressel were the toast of Columbus, Ohio for one magical year of success before controversy erupted on Ohio State's campus, leaving both men in very different situations, both trying to succeed in a world of greed, influence and big money. Claret’s story unfolded under the intense glare of the national media whereas the documentary provides greater clarity and a more nuanced context as to the events that would test the strong bond between these two Youngstown Boys.
Last year, the psychological thriller Prisoners was a break out hit for Canadian director Denis Villeneuve. With his follow-up film Enemy, once again starring Jake Gyllenhaal, the director embraces Hitchcockian style and atmosphere over formal plotting. Enemy is a kind of tone poem of dread and anxiety that I suspect will leave many a viewer grumpy and unsatisfied (more description would only spoil it). I for one enjoyed Villeneuve’s playful antics and commitment to the project over any kind responsibility to provide viewers with a conventional follow up. Fans will either love the Kafkaesque horror of the film or despise it for its provocative resistance to philistinism. You decide.
The Good Wife is one of the best network television shows and after five seasons, still going strong with its mixture of secrecy, passion, scheming and legal maneuvering.
It possesses all of the elements for a successful serial: power politics, courtroom confrontations drawn from the headlines, mysterious characters, well-paced intrigue, and nuanced storytelling. Throw in a fantastic cast (that’s refreshingly racially diverse) that brings to life the smart writing and you have a hit show worth binging on.
The Good Wife
Spike Lee’s seminal film Do the Right Thing was released 25 years ago today to both critical acclaim and grumblings that the movie might insight violence.
The film centers on one extremely hot day in a Brooklyn neighborhood, where racial tensions have reached a breaking point. It did what few movies had done then or even now—honestly addressed racism in our country.
In the resulting 25 years, the movie has become an American classic, one whose story is still as pertinent today as it was when it was released.
Do the Right Thing
In less talented hands, Her could have become a mess of empty romantic sentimentality or an opportunity for heavy handed statements about the future hazards of alienating technologies. But viewers are in luck, the inventive mind of Spike Jonze (Being John Malkovich, Where the Wild Things Are, Adaptation) has made a sensitive and powerful film about the limits and possibilities of human intimacy as mediated through artificial intelligence. Her is a magnificent film that hits the right notes over and over again without giving into satire or weighty pessimism. The film’s casting is superb, the music perfectly fits the emotional tones and the visual imagery of a near-future only delicately disorients our sense of time and setting, leaving the viewer to consider the subject matter as a deeply contemporary one. Fans of films like Lost in Translation, Harold and Maude, The Eternal Sunshine of the Spotless Mind, Beginners, and The Future will likely be drawn into Jonze’s quirky world where timeless desire in the future has less to do with operating systems and more to do with the continuous puzzle of the mind/heart machine.
70 years ago today, one of World War II's most significant battles was D-Day, the day in which thousands of Allied soldiers crossed the English Channel to invade German occupied France. There's certainly no shortage of informational resources on this topic but if you're a WWII buff or simply want to know more about this imporant day in the fight against Nazi Germany, check out The War by Americana documentarian Ken Burns. This is my favorite work of Burns and his most emotionally dramatic. Soldiers who were there, storming the beaches of Normandy, recount with unfiltered descriptions, the horrors, heroism, and blunders that they experienced on that fateful day and in doing so, provide an unromanticized version of their sacrifice. It's Burn's most stirring documentary and one that is required viewing for those interested in World War II. For those who want their history fictionalized, KPL owns many feature films set during wartime, including Saving Private Ryan, Life Is Beautiful, Schindler's List, The Big Red One, Force 10 from Navarone, The Thin Red Line, The English Patient, The Winds of War, In Darkness, Ivan's Childhood, The Cranes are Flying, and Flags of Our Fathers.
Nebraska, the movie, is filmed in black and white, which makes it different from the start. It is a slower, steady-paced story about an adult son’s resigned understanding toward his aging father who believes he has won a million dollars in a magazine sweepstakes.
Bruce Dern plays Woody Grant, the deteriorating father, and Will Forte plays, David, the son. June Squibb plays Kate, the brutally honest wife. The story begins with the father walking along the highway in Billings, Montana. A police officer stops the father and contacts the family to pick up the old man. The son retrieves his father who tells everyone that he is walking to the sweepstakes headquarters in Omaha, Nebraska to claim his fortune. He means what he says and the son realizes there is no stopping him. A road trip ensues. On the way they stop in Hawthorne, Nebraska, Woody’s hometown, occupied by many relatives and friends and former business acquaintances. They stay with Woody’s brother and sister-in-law and criminal sons. Woody announces to everyone that he’s going to be a millionaire. After that, every day is filled with drama, shananigans and tell-all stories from the past.
The believability of the characters and the story is bar-none. You become immersed in the events. It is quirky, goofy, frustrating and tender, all things human. Nebraska was nominated for six Academy Awards. The combination of actors and directors is superb.