Staff Picks: Movies
Staff-recommended viewing from the KPL catalog.
About twenty years ago, I stumbled on a documentary called Paradise Lost: the Child Murders at Robin Hood Hills. It told the story of the investigation into the murder of three eight year old boys in West Memphis, Arkansas and the subsequent conviction of three teenagers, casting doubt on whether the teenagers were guilty of murder or just guilty of wearing black, listening to heavy metal music, and enjoying horror films.
Over the years, the documentary filmmakers who made the original Paradise Lost have produced two other films: Paradise Lost: Revelations and Paradise Lost: Purgatory. These documentaries and other information about the case convinced some high profile people like: Eddie Vedder, Henry Rollins, Johnny Depp, and Lord of the Rings director Peter Jackson to lobby for the release of these teenagers.
After a bizarre plea deal, they were released on August 19, 2011 after serving over eighteen years for crimes they possibly didn’t commit.
Now, Damien Echols, who was on death row for those eighteen years, tells his story in Life After Death. Watch the documentaries and read his book and decide who you believe.
Paradise Lost: Purgatory
Sandra Bullock may have taken on deadly space debris in Best Picture contender Gravity, but it’ll likely be Cate Blanchett that destroys her chances at winning a second Oscar come Sunday, March 2nd. That’s right, the 86th Academy Awards ceremony is less than two weeks away, which mean now’s the time to catch up on all those critically-acclaimed movies you’ve been meaning to watch. Thankfully, the Kalamazoo Public Library is here to help with this list of all the Oscar-nominated films that you can check out from us right now:
- Best Picture nominee Captain Phillips received 6 nods overall, including Supporting Actor (Barkhad Abdi), Adapted Screenplay, Film Editing, Sound Editing and Sound Mixing (Tom Hanks just missed the cut for Best Actor, but his performance is riveting, especially in the film’s final 10 minutes).
- Cate Blanchett is the front runner for Best Actress in Woody Allen’s Blue Jasmine. The film also received nominations for Supporting Actress (Sally Hawkins) and Original Screenplay.
- Best Animated Feature nominees The Croods and Despicable Me 2 are available now (Front-runner Frozen will be here in March). Despicable also received a nomination for Best Song with Pharrell Williams’ “Happy.”
- Four of the five Best Documentary Feature nominations are here: The Act of Killing, Cutie and the Boxer, Dirty Wars, and 20 Feet from Stardom.
- Big-budget summer films Iron Man 3, Star Trek Into Darkness, and The Lone Ranger received nominations for Best Visual Effects. Ranger also received a nod for Hairstyling & Makeup alongside fellow unlikely-contender Jackass Presents: Bad Grandpa.
- Baz Luhrmann’s opulent take on The Great Gatsby was recognized for Costume Design and Production Design.
- Best Foreign Language Film nominee The Hunt is currently available, while fellow contenders The Broken Circle Breakdown and The Great Beauty will arrive in March.
- The third part of Richard Linklater’s beloved romance trilogy, Before Midnight, received an Adapted Screenplay nod.
- All is Lost features a great performance from Robert Redford and was recognized for Best Sound Editing.
- Abduction thriller Prisoners is competing for Best Cinematography.
Several more Oscar contenders will be available on DVD or Blu-ray very soon:
- With 10 nominations (including Bullock’s), Gravity (available February 25th) will be a force to be reckoned with on Oscar night. It has a great shot at winning Best Picture and Director (Alfonso Cuarón) and is also the front-runner for technical categories like Visual Effects, Sound Editing, and Sound Mixing. The film was also recognized for Cinematography, Film Editing, Original Score, and Production Design.
- Also out on February 25th is Nebraska, which welcomed nominations for Best Picture, Director (Alexander Payne), Actor (Bruce Dern), Supporting Actress (June Squibb), Cinematography, and Original Screenplay.
These Oscar contenders will be available in March, and you can place a hold on them right now:
- 12 Years a Slave received 9 nominations, including Best Picture, Director (Steve McQueen), Actor (Chiwetel Ejiofor), and Supporting Actress (Lupita Nyong'o).
- American Hustle was nominated for 10 Oscars, including Best Picture, Director (David O. Russell), Actor (Christian Bale), Actress (Amy Adams), Supporting Actor (Bradley Cooper), and Supporting Actress (Jennifer Lawrence).
- Dallas Buyers Club has 6 nominations, including Best Picture, Actor (Matthew McConaughey) and Supporting Actor (Jared Leto), and both actors are favored to win in their respective categories.
- The Wolf of Wall Street was nominated for Best Picture, Director (Martin Scorsese), Actor (Leonardo DiCaprio), Supporting Actor (Jonah Hill), and Adapted Screenplay.
- Philomena is competing for Best Picture, Actress (Judi Dench), Original Score, and Adapted Screenplay.
- Also arriving in March are nominees The Grandmaster (Cinematography, Costume Design), Inside Llewyn Davis (Cinematography, Sound Mixing), The Book Thief (Original Score), Saving Mr. Banks (Original Score), and Mandela: Long Walk to Freedom (Original Song).
Keep an eye out for the rest of the nominees, which are sure to follow. In the meantime, come on down to KPL and start prepping for Oscar night!
Tom Hanks is not talking to a basketball named Wilson this time and I haven’t seen any cute UPS type commercials like there were after the Cast Away. Captain Phillips was a more serious movie and it was made after real events. A real Captain Phillips was really steering an ocean going container ship carrying much needed food and water to Africa. It was attacked by Somali pirates and boarded. The movie starts out introducing you to lives on both sides. We see Captain Phillips saying goodbye to his wife as he boards a plane to go to Oman to captain the boat. We see the Somali people and how they are forced to be pirates. The movie does not waste a lot of time showing you background, it jumps right to the actual attack. The Container ship repels the first attempt but when the one boat comes back they successfully board the container ship, largely due to a malfunctioning fire hose that was supposed to keep the little boat away. What I found interesting is that there were only 4 Somali pirates and they were not that bright. But they had automatic weapons. If the container ship had even a couple of guns they might have staved off the attack. When the little boat gets close and hooks it’s ladder to the ship I kept thinking why don’t they go and repel boarders. The people who lived in castles did it all the time. Somebody puts up a ladder, you push them and the ladder off. Once boarded Captain Phillips misleads the pirates, tricks them, tells them the ship is broken etc. The Pirates were not the brightest. I think the Somali Pirates should use this movie as a training film for what not to do when hijacking a ship. When the Somali pirates took Captain Phillips in the lifeboat it got very real for me. I remembered watching this lifeboat and hearing about the Navy Seals and their 3 shots fired simultaneously and how much praise they got for their accuracy. In the movie when they rescue Captain Phillips it wasn’t like in a Sylvester Stallone movie where they pounce around all macho. Tom Hanks did an excellent job of being in shock. He couldn’t speak, he was on the verge of crying. He made you feel his distress. I give him high praise for conveying that emotion effectively. Come on down and check this DVD out from KPL.
Reader’s Advisory is a term that librarians use to describe the act of linking similar titles together so that readers are exposed to authors and titles that possess comparable thematic or stylistic qualities. This is the first installment of a film version of that kind of process of suggestion. It’s not scientifically based and so absorb these lists with a grain of salt.
• Liked Goodfellas, try Miller’s Crossing
• Liked Charulata, try Everlasting Moments
• Liked The Truman Show, try Real Life
• Liked Drive, try Taxi Driver
• Liked Eternal Sunshine of the Spotless Mind, try Petulia
• Liked Last Year at Marienbad, try Memento
• Liked The Ice Storm, try Ordinary People
• Liked Groundhog Day, try Being There
• Liked Take Shelter, try Repulsion
• Liked Il Postino, try Amelie
• Liked E.T, try Super 8
• Liked Doubt, try The Silence
• Liked Mad Men (series), try The Hour (series)
• Liked Paper Moon, try The Last Picture Show
• Liked Harold and Maude, try Delicacy
• Liked Tinker Tailor, Soldier Spy, try The Spy Who Came in from the Cold
• Liked Goon, try Slapshot
• Liked Harry and Tonto, try Alice Doesn’t Live Here Anymore
• Liked The Newsroom (series), try Sports Night (series)
• Liked Platoon, try The Thin Red Line
• Liked Leaving Las Vegas, try Taste of Cherry
• Liked Dead Man Walking, try Into the Abyss: a tale of death, a tale of life
• Liked There Will Be Blood, try Citizen Kane
• The Bridge Over River Kwai, try Force 10 from Navarone
• Liked Blue Valentine, try A Woman Under the Influence
Force 10 from Navarone
Last month marked the 80th anniversary of the repeal of Prohibition, so if you're going to be stuck inside during these cold and snowy days, you may as well cozy up with a hot toddy and watch Ken Burns' documentary series describing the passage, enforcement, and repeal of Prohibition in the United States. When I watched the series last month I wasn't sure how much I'd learn, since this era was covered in my American history classes and has been heavily mined by pop culture, but I found all five-and-a-half hours engaging. I especially enjoyed the first episode, which outlines the factors leading to the passage of the 18th Amendment, including immigration and the introduction of the federal income tax.
The library has several copies of the DVD, but it's also available to check out anytime with Hoopla, the library's source for instant streaming videos, music, and audiobooks.
If you're interested in fictional depictions of Prohibition, check out the Coen Brothers' Miller's Crossing, the television series Boardwalk Empire, or Woody Allen's comedic take Bullets Over Broadway.
I’ve been trying to distract myself from the extreme winter weather of late by checking out some of our documentaries on surfing (White Wash, Riding Giants). Maybe it’s the beautiful landscape of the Hawaiian coast or the vibrant blue of the ocean wafting above the earth’s surface that appeals to me as we grind through a cold, grey winter.
Surfwise is an excellent documentary film that will appeal to anyone interested in exploring the question: What is a meaningful life and what does it look like in practice? Surfwise is the portrait of a man (Dorian Doc Paskowitz) with a vision of the world that found it’s life-long manifestation in the rejection of social conventions and modern values. It’s also a film about family dynamics and the conflict between one man’s inflexible idealism and the resentment and problems it later produced for his nine children.
Friendship as a documentary subject is a rare thing and with this affecting and poignant account of the long-term bond between Pulitzer Prize-winning author/actor Sam Shepard and Johnny Dark, viewers may feel as though they are listening in on a personal conversation between two old mates. Fused by both affinity and family, these two friends, entangled within the complicated web of history, not to mention their very different views on life and living, join together to work on an University project regarding their correspondence and ephemera that may result in a book deal. Full of tenderness, humor and sadness, these two old compatriots open up and bare their lifetime of memories, laments and affection for one another before the camera’s eye, offering up fascinating insights about both the limits of male closeness and its lasting durability.
Shepard & Dark
As rabid a film watcher as I am, time restrictions will forever thwart my capacity to plow through KPL’s stellar movie collection but here is an abbreviated list of some of my favorite films from KPL’s collection, watched over the past year. While we add new releases each week, don’t forget about the diversified depth of our collection. We can’t purchase every movie that is requested or inquired about but we can work toward the goal of having most titles for most of our patrons, most of the time.
Upstream Color: With the exception of the increasingly abstract, fragmented and non-linear narratives of Terrence Malick, there have been few notable American films over the past decade or so that have attempted to remake the kind of Eurocentric, anti-classical/realist/romantic films of the 1960’s and 70’s (think: Godard, Bresson, Tarr, Tarkovsky, Resnais, Warhol, Antonioni). With Upstream Color, a sort of Hiroshima Mon Amour for our contemporary times, one hopes that young filmmakers will continue to take the value of abstraction seriously, reimagining it in new and thoughtful ways.
Hedwig and the Angry Inch: A film that came out (pun intended) way ahead of its time. It’s kind of an absurdist musical that is in-your-face bonkers, but bonkers in the most vital, transgressive and beautifully rebellious way. A postmodern Hair.
Young Adult: Charlize Theron gives a great performance as an unraveled mess of a person that attempts to transition from a life of boredom and narcissism toward a more complete, self-aware state where the adjective ‘young’ can finally wither away.
Sullivan’s Travels: I checked this film out because the great American director Preston Sturges’ name kept popping up in literature on director/writer Wes Anderson (a favorite of mine). This well-written and acted screwball comedy hits the mark and lives up to its acclaim as one of the 1940’s best films.
My Dinner with Andre: A film like few others--this conventions-busting mixture of fiction and nonfiction, storytelling and improvised riffing will either bore you into slumber or thrill you with its originality. We almost forget, due to the strong writing, that the great French autuer Louis Malle was its director.
Insignificance: I’m still not sure I ‘get’ this peculiar film but it was certainly compelling, the way in which a film can unfold as both an irritant and a puzzling enigma.
Hiroshima Mon Amour: Before I saw this Alain Resnais masterpiece about memory, love and loss, I considered Harold and Maude my favorite film. Now it’s number two.
12 Angry Men: Watch this fictional, court room drama and then the documentary The Central Park Five. The very notion of facts, evidence, justice and human objectivity are brilliantly rendered as a hollow collection of outdated concepts with tragic application.
Hunger: Not to be mistaken with Steve McQueen’s first film about the imprisonment of IRA soldiers of the same name but rather the nimble and haunting adaptation of the classic, existential novella by Danish writer Knut Hamsun.
Summer with Monika: Arguably, my favorite film of Bergman’s but nowhere near his best. That distinction belongs to his magnum opus Scenes from a Marriage, a film that should only be approached by the single and the happily married couple.
Rules of the Game: My goal for movie watching this year was to view a handful of those classics considered important to the historical development of the art form according to the Sight and Sound Magazine’s list of 250 Greatest Films; a list created every ten years by an esteemed cadre of critics. Renoir’s masterpiece (rated at No. 4) is there for a reason and its influence can be seen in almost every film made since 1939 that skewers the vacuity of the rich and clueless.
La Jetee/Sans Soleil: Made by maverick film essayist Chris Marker, these two films are quite distinct from one another in both content and style. Both represent the best in avant-garde, envelope-pushing cinema that emerged parallel with the various manifestations of the European New Wave movement.
Picnic at Hanging Rock: This 70’s cult classic by Peter Weir still holds up as a truly original film that tackles the subject of loss, regret and repressed longing, all of which are tied to a mystery that leaves an Australian women’s school in shock and confusion.
Other notable films: L’ Avventura, Stroszek, Bringing Up Baby, Amarcord, The Killing, Neighboring Sounds, Damnation, The Lives of Others, Magnificent Ambersons, Harvey, Pat and Mike, The Third Man, Ali: Fear Eats the Soul, The Searchers, Elevator to the Gallows, As I Lay Dying, Cleo from 5 to 7, Frances Ha, The Silence, Winter Light, Cries and Whispers, Blast of Silence, Through a Glass Darkly, Argo, Shallow Grave, Band of Outsiders, Fanny and Alexander, Mud, Harry and Tonto, Chasing Ice, and Guess Who’s Coming to Dinner.
The new documentary film Room 237 may have only limited appeal but if you love Stanley Kubrick’s movies (Paths of Glory, Full Metal Jacket, The Killing, 2000: A Space Odyssey), especially his adaptation of Stephen King’s novel The Shining, then this is a must-see film. Structured as an introduction to the many provocative theories about The Shining and its meaning, viewers hear (but never shown) several die-hard fans meticulously outline what they think the film is about and what Kubrick was attempting to express. Those interested in Kubrick’s controversial version (Stephen King hated it) conspiracy theories will love the film and the way it depicts both the intellectual limits of critical semiotics and deconstruction as well as the depth of passion and obsession invested in such a project. Was it really a deeply coded criticism of the genocide of the American Indian or could it have been a winking apology for Kubrick’s participation in the faking of the moon landing and c’mon, what’s up with those cans of Calumet baking soda? If anything, the film proves that art and an artist’s intentions can be interpreted in a number of ways, often resulting with comical conclusions but it also serves as a celebration of theory as an intellectual exercise in deepening our capacity to think more dynamically and critically about the power of messaging and the coding of media.
A groundbreaking documentary when first released in 1968, this Albert and David Maysles (Grey Gardens, Gimme Shelter) production follows the emotional up’s and down’s of a group of door-to-door salesman who are charged with the peddling of a gold embossed version of the Good Book. Each of these real life Willy Loman’s has a nickname (The Rabbit, The Gipper, The Bull) which adds an element of fictive artifice, but what the Maysles brothers are really after, is to paint a psychological portrait of the inner turmoil these men feel as they grind their way through each pitch, expressing frustration (at both each other and their customers), skepticism toward the future of their profession and in some cases, a celebratory belief in the power of their vocation. Funny, heartbreaking and myth-busting, Salesman is an American classic of cinema verite.