Staff Picks: Movies
Staff-recommended viewing from the KPL catalog.
The great movie directors have always shown an interest in exploring the subject of growing up and the themes of adolescent awakening, rites of passage and the sometimes complex depiction of individuals straddling both adulthood and childhood. As many different kinds of filmmakers as there are, so to have these kinds of movies been varied, both in terms of genre, point of view and style. Childhood it would appear from some of the beloved films that have been inspired by the subject, is messy, complicated and rendered as a darn right miserable experience.
Youth’s opposite condition, the aging process and growing old has also been explored with both tenderness and horror. Sometimes depicted with gritty realism, other times with romantic sentimentality, many of these films examine the way that the elderly either flourish by growing open to new and different ideas about what it means to live or in some cases, investigate the many difficulties that the elderly are confronted with. Here is a brief list of some of the great films that tackle the subject of both youth and the elderly with intelligence, artfulness and humanity.
Harry and Tonto
Harold and Maude
Away from Her
On Golden Pond
The Up Series
The Straight Story
Murmur of the Heart
My Life as a Dog
Mon Oncle Antoine
Stand by Me
Kid with a Bike
Spirit of the Beehive
The Ice Storm
Harry and Tonto
Cult film Blast of Silence (1961), which seemingly came out of nowhere in the early nineties after years of existing amidst a fog of cinematic obscurity, is a blast of style, kinetic energy and unsentimental nihilism. It's a low budget but artistically rendered and edited gem of a film that follows the life of an increasingly conflicted, paid hit man trying to get out of the business even as he preps for his next pay day during the holiday season. Frankie ‘Baby Face’ Bono stalks his New York City target with machine-like precision while at the same time becoming emotionally interested in an old friend’s sister. Made on a shoe-string budget, Allen Baron’s taut thriller perfectly encapsulates the look and feel of similar films of that era connected to the independent film movement of the late 50’s and early 1960’s.
Blast of Silence
The less I say about the BBC America thrillerOrphan Black, probably the better. Full of suspense, the show centers around Sarah, a drug-dealing petty criminal who suddenly finds herself in the middle of a mystery when she sees a woman jump in front of a subway train. The thing is, the woman looks like her—and not just a little bit, but exactly like her. Sarah then embarks on a journey to find out who the dead woman is and ends up questioning her own story. The plot is fascinating and always surprising; there are no red herrings here. As details unfold, perspectives change but nothing is thrown in just as a ploy to lead the audience astray (a sign of a good mystery if you ask me). Tatiana Maslany, the star of the show, does an excellent job playing multiple, demanding roles that would not work in the hands of a less talented actress. Orphan Black will definitely make it onto my “best of 2013” list.
The great films from the silent era to today have always addressed the significant, universal themes and truths that lie at the core of human experience. There may be no better film made about the end of life and the instinctive response to look back on one’s dreams, laments, regrets, and accomplishments while standing upon the precipice than Japanese director, Akira Kurosawa’s Ikiru (Bergman’s Wild Strawberries is a close second). More than a somber piece of cinema about an unremarkable everyman’s last days, Ikiru (meaning “to live”) is a life affirming and poetic masterpiece that beautifully portrays our main character’s search for meaning as he learns he has a terminal disease.
Kanji Watanabe, a government employee who nobody seems to know or respect, agonizes over the belief that he has not lived a full life of importance and it’s this doubt that drives him forward to engage his fleeting days with a fierce purpose. For like so many, the presence of the end animates what it means to be alive. Kurosawa uses his immense directorial talents to bring this theme alive in fresh and unique ways. Fans of Kurosawa’s samurai movies may be surprised at the heartbreaking tenderness that he exhibits in this, his most endearing and humane film that explores life’s preciousness through one man’s death.
Sleepwalk with me is about a comedian who has REM disorder disease. Matt is a comedian who is currently working as a bartender and Abby is his girlfriend. They go to his sister’s engagement party and his parents and friends are putting pressure on him to get married. His sister had been seeing her guy for only two and half hears while Matt has been with Abby for eight years His girlfriend is great, can sing, people love her. I think one of the telling lines is when Matt tells his sister everyone thinks Abby is amazing; mom and dad think she is amazing, our friends think she is amazing. I think everyone thinks the best thing about my life is my girlfriend. Matt is not ready for marriage and the pressure causes him to sleepwalk. At his parent’s house during a sleep walking episode he thinks the hamper is a jackal and he is kicking it. Matt gets an agent and she sends him on some comedy gigs. They are scattered about the east coast and involve a lot of driving and time away from home. He becomes exhausted and the sleep walking episodes get worse. His comedy, however, gets better. At one comedy club a veteran comedian talks with him off stage and Matt makes a joke about marriage. The veteran says that’s funny you should use it in your show. Matt’s comedy gets funnier as he jokes with the audience about marriage, making fun of it. One night Abby comes home at 4 am very drunk and starts to pack a suitcase, Matt wants her to stay and agrees to get married in the summer. As we watch Abby plan for the wedding and Matt touring and doing his comedy act we see his sleepwalking progress until finally he thinks a missile is coming at him (signifying the upcoming wedding) and he jumps out of a second story window. This is a deadpan humor type of story; the most humorous parts are his sleepwalking dreams. It’s a real type of story, real issues, real struggles, real relationship problems, with comedy sprinkled in especially in the sleepwalking dreams.
Sleepwalk with Me
The Loving Story is just that, a documentary tale of two people bound by an uncompromising commitment to one another, fighting against injustice and hatred. Marriage equality isn’t only a contemporary legal issue that’s being struggled over in state and federal courts today but one that goes back many years and in this particularly precedent-setting case, begins in 1958, when two Virginians married in Washington D.C., neither aware of a Virginia law that criminalized interracial marriages. Our loving couple, Mildred and Richard Loving were subsequently arrested and charged with a crime. Wanting to continue to live in Virginia, the couple decided to fight this legal bigotry by challenging their convictions as well as the the very law that was designed to oppress Virginian blacks and codify social and economic segregation. Supported by two brash and youthful attorneys, the Loving’s fought their way to the United States Supreme Court and won in 1967. This is their remarkable story.
The Loving Story
The recently released documentary film Chasing Ice is the story of one of the world’s most renowned photojournalists tackling the subject of global warming by documenting the retreat and loss of glacial ice in Iceland, Greenland, Alaska, and Montana due to climate change. This documentary, full of breathtaking images of both sublime beauty and environmental degradation introduces us to the passionate photographer James Balog, who with his team of scientists, techies, climbing experts and field guides set out to document the physical evidence of global warming by setting up cameras in multiple locations to film a particular landscape in order to archive the changes. The dramatic effects of global warming are clearly evident as Balog returns to each site several times a year to make sure the cameras are functioning properly and to review the effects upon the glaciers. The film highlights the emotional up’s and down’s and natural obstacles to such an endeavor but what really is the most striking feature of the film is the awe-inspiring magnificence of the arctic landscapes.
One’s take away from writer/director Sarah Polley’s brilliant, semi-autobiographical Stories We Tell may be that the film is about family dynamics and the complex secrets they often keep hidden. But what the film is really about is the way in which our lives are like stories, often interpreted and consumed differently by various actors involved within the circle of a particular narrative. The 'truth' about Sarah's origins becomes increasingly unstable as memories (some of which may be unreliable) of the past highlight the relativistic and nuanced nature of individual perspectives and experiences. Everyone's take on Sarah's mother is bit different, which is to say, she struggled to conform to any singular mold or characterization. The film works very much like Tim O’brien’s masterful fictional memoir The Things They Carried, a novel set in the Vietnam War but a book concerned primarily with the importance of storytelling as a way of understanding splintered, de-centered realities. It’s a wonderful film and one of the best of the year.
Stories We Tell
By the mid 1950’s Katharine Hepburn had solidified herself as one of Hollywood’s biggest stars and so with few limitations regarding her career trajectory or concerns regarding box office success, she took on roles that were less about making money and more as vehicles to work with some of the best directors of that time. Summertime, a film that most movie fans don’t immediately recognize as one of her signature movies, is a wonderful tale of doomed romance along the Venetian canals. Directed by legendary British auteur David Lean (A Brief Encounter, Bridge On the River Kwai, Lawrence of Arabia), Summertime finds Hepburn in a role that has her playing an emotionally lonely yet headstrong and independent secretary, enjoying her dream vacation in Venice when romance comes her way in the form of a smooth-talking shop owner. Shot in vibrant Technicolor, Lean shows off Venice as a beautiful city full of life and history. The city becomes a character onto itself. It’s a film about living in the moment and embracing the vitality of experience.
Be sure to check out the romantic comedy Cherry, which we’ve recently acquired here at the library. The story follows a college freshman named Aaron who falls for an older woman he meets at school. Things get complicated when the woman’s 14-year-old daughter develops a crush on Aaron. Age becomes a challenging factor in both relationships, but they all manage to learn valuable life lessons before the credits roll. The movie itself is an enjoyable watch, but the real reason you’ll want to catch it is that the 2010 film was shot right here in Kalamazoo. Throughout the film you can catch glimpses of locations at Western Michigan University and Kalamazoo College, various downtown storefronts, and on recognizable streets like Kalamazoo Avenue and Rose Street. Although, there should have been a really awesome public library in there somewhere…