Staff Picks: Movies
Staff-recommended viewing from the KPL catalog.
Wiener Dog Nationals is a cute children movie. We have a family with a mother who has died recently but not that recent, like 2 years ago. So we have a father raising 3 children; one is 18 and the other 2 are like boy age 8 and girl age 6. The boy discovers a picture of his mother as a child with a wiener dog (dachshund) and she used to race the dog and win trophies. Nowhere in this movie do we hear anyone say dachshund it is always Wiener dog, just like the title of the movie. For his birthday he wishes for a wiener dog. He names it Shelly because he got it from a shelter. He and his sister are in a fast food place and there is a girl signing up people for the Wiener dog races, what are the odds. Morgan Fairchild is a rich lady who plays dirty tricks to try and eliminate Shelly from competing in the race. She has won for the past 2 years. The movie is your typical child movie, Morgan Fairchild is shown doing nasty things and being rude so you hate her. The boy with the dog is nice and friendly with the other contestants especially a dog called handshake who can do one trick, bet you can’t guess what it is, yep Shake Hands. His owner is a girl of about 8 same age as the boy. The dad meets and falls in love with the girl (Alicia Witt) who was signing up people for the race. Shelly wins Nationals. Happiness reigns for all in the end. Two things that did bug me about this movie, when cleaning up from the birthday, the dad tosses the left over cake into a garbage bag. Who does that, you keep the cake and have more of it later. The second was more of a continuity issue. Shelly hurts her paw. They show her raising her right front paw as if it is hurt but they bandage the right rear paw. I even rewound to make sure I saw the correct paw. But hey, I wasn’t watching this for accuracy just for a good time. It’s cute, if you have children or just like these movies Check it out at KPL.
Wiener Dog Nationals
At the behest of a friend I began watching the tv series Scandal a couple weeks ago, and was quickly drawn into the world of crisis management firm Olivia Pope and Associates. Pope is a 'fixer'- she and her team get their clients, Washington's elite and well-connected, out of sticky situations in order to protect the clients' public reputations. Most episodes follow a case that Pope and her team must handle, but what I love most about the show are the story arcs involving Pope and her associates: these characters are flawed, and they all have their own secrets to protect. Season two's crazy plot twists will definitely have me tuning in for season three in October!
Legendary White Stallions. If you like looking as talented gorgeous horses then give this DVD a perusal. This is a DVD about the legendary Lipizzaners. It talks about their training and their breeding and shows them in action and in the country side. Some of these quotes will give you a feel for the DVD. The Director of the Spanish Riding School says “Classic Horse riding is pure Beauty and Harmony” The Rider is the artist and the Horse is the medium” Now, while I agree with his statement and love seeing these horses, I thought that he, the Director of the Spanish Riding School looked like Prince Charles. Ok, back to serious, this is an informative and also beautiful DVD of the Lipizzaners. They are the horses of legends. Another quote “It’s Teamwork, it is as if there was a gossamer thread between the riders and the horses mind.” This is a visually powerful and educational DVD of a legendary horse. It is a wondrous photography of the Lipizzaners. Check it out, give it a watch and be enthralled and educated.
Legendary White Stallions
Famously shy and reclusive writer/director Terrence Malick burst into the spotlight with his extraordinary debut Badlands(1973), a classic of American filmmaking starring a young Sissy Spacek and Martin Sheen. The library has recently picked up the expanded and refurbished Criterion Collection edition which features recollections from the two actors and the art director. Fans of Malick’s impressionistic and painterly films (The Thin Red Line, Tree of Life, Days of Heaven, The New World) will certainly want to see this version in all of its restored vibrancy. After watching this amazing film, loosely based on the Charles Starkweather murders of the late 1950’s, I’ve attempted to come up with a short list of significant directorial debut films that we currently have in our collection.
Who’s Afraid of Virginia Woolf
The Night of the Hunter
A Bout De Souffle (Breathless)
Knife in the Water
Killer of Sheep
The 400 Blows
The Sorcerer and the White Snake is gorgeous. The mountain scenery is breathtaking, the underwater visuals are amazing. This is a story of True Love. The demon white snake falls in love with a human. All sorts of problems arise from this but she never regrets it because she now knows true love. The White snake said she meditated once for a thousand years but just a moment with Xu Xian (the human she is in love with) was worth more. This was a great story of love based on a Chinese legend, but the best part was the visuals. It was one breathtaking scene after another. As I have a snake phobia, I wish it wasn’t a White Snake but when they are that big they look more like a sea serpent than a snake so it wasn’t too bad, only at the end did they send in the little snakes. Jet Li is the monk and he does do a lot of action. But even the fighting scenes are overpowered by the visual effects. When Xu Xian is under water the details of the plant life and the fish was spectacular. When the White Snake flooded the town and summoned the waters, it gripped you and the music swelled and you were carried away. While the story is of White Snake and her True Love with a human it also displayed the sister love between White Snake and Green Snake. When White Snake was dying Green Snake offered her life’s essence to her sister. It is a foreign film and you will have to read the subtitles but it is the visual effects that will blow you away. A fun part was the monks apprentice turning into a bat demon and the animated mice were delightful.
The Sorcerer and the White Snake
Can a film be at once a tender, macabre, oddball slice of campy surrealism with a heart? Few have treaded these idiosyncratic waters of exotic eccentricity better than Canadian filmmaker Guy Maddin. Brand upon the Brain, his feature film from 2008 represents Maddin at his most mainstream, which is not to suggest that the film is going to be embraced by more than a few devotees. But if you’re willing to open your mind up to Maddin’s semi-autobiographical story about a lighthouse that serves as both an orphanage and the setting for mad, scientific experiments, you’ll be rewarded with an enchanting tale of bold, cinematic weirdness.
Brand upon the Brain
Life Is Sweet (1990) solidified British director Mike Leigh’s place as one of the United Kingdom’s most important director/writers. He has since gone on to make several other classic films (Naked, Career Girls, Another Year, Vera Drake, Happy Go Lucky) that explore the darkly twisted world of British working and middle-class life, mixing together black humor with social critique that rarely comes across as contemptuous or mocking. His humane and sympathetic depictions of the shadowy and grim aspects of life are easier to digest because of his deft touch for highlighting the absurd. Leigh’s gift for creating quirky characters out of relatively mundane stories about everyday life is at the heart of many of his films. Life Is Sweet perfectly illustrates this vision, where the grotesque, odd and cruel are wedded to the jovial, loving and poignant. Be prepared to watch with subtitles given the thick accents and quick deliveries of the dialogue.
Life is sweet
The BBC’s stylish and entertaining series The Hour has been compared to Mad Men, in large part because of the approximate time period (mid 1950’s) the show is set and because of the copious amount of drinking and smoking that characters indulge in. Aside from those superficial comparisons, The Hour tackles mid-century, hot-button political issues through the prism of an hour-long, topical news program (think early 60 Minutes) run by young, idealistic journalists who inevitably butt heads with both their own management as well as the political establishment. What makes the series really tick is the element of mystery that emerges to provide a bit of tension and noir to this excellent, two-season drama.
Described as a film about “everything and nothing”, Yi Yi (Translation: A One and a Two) is writer/director Edward Yang’s moving, slice of life portrait about the up’s and down’s, beginnings and endings, laments and celebrations of a middle-class Taiwanese family. Centered on N.J. and his family, Yang depicts the magical moments in life by juxtaposing them against a backdrop of the mundane. The film begins by showing us a wedding and then quickly cuts to N.J.’s mother-in-law’s failing health, stressing the overlapping and sometimes paradoxical nature of life’s imperfect unfolding. Yang expertly evokes the poetry of the everyday, urban experience in all of its messy dynamics, showing us the beautiful interplay between humor, tragedy, romance and ritual from the perspective of the three primary characters, the father, teenage daughter and the eight year-old son.