Paper Towns is another film based on popular teen literature writer John Green’s novel of the same title. Part mystery, part coming of age road trip movie, Paper Towns shares in the cookie-cutter industry tropes (please, no more voice over narration!) found in other like-minded young adult dramas (see: The Fault in Our Stars, Perks of Being a Wallflower, Me, Earl, and the Dying Girl, and White Bird in a Blizzard e.g.). However, at the same time, the film effectively dials down the melodrama of teen love in favor of mining a more emotionally genuine expression of teenage tomfoolery tied together with an exploration of the self and the bonds of friendship without manipulating the audience’s feelings or insulting their intelligence. The soundtrack also features some really great tunes.
Memory loss, amnesia and the human tendency to construct images and establish narratives in the service of making sense of the past has long fascinated filmmakers, writers and artists. The ‘unreliable narrator’ has been employed by many a director and writer to create a world of uncertainty and suspense within the mind of the viewer. I enjoy films that explore the discontinuity and fallibility of our memories in the service of depicting the unstable character of our perception toward others, including our own limitations of understanding of the self. This depiction of the cruelty of unpredictability has found its way inside the DNA of countless films that have dealt with the subject in varied ways, some through the vehicle of a character’s mind and others through a narrative approach.
Hiroshima Mon Amour
Eternal Sunshine of the Spotless Mind
Away from Her
Before I Go to Sleep
Last Year at Marienbad
The Bourne Trilogy
The Long Kiss Goodnight
From the November/December issue of Film Comment comes the magazine’s always provocative “Film Comment’s Trivial Top 20” list, curated by their contributors. What do you think?
1. The Godfather: Part II
2. Dawn of the Dead
3. The Empire Strikes Back
4. Before Sunset
5. The Bride of Frankenstein
6. For a Few Dollars More
7. Toy Story 2
8. Gremlins 2: The New Batch
10. Evil Dead II
11. The Testament of Dr. Mabuse
12. Mad Max 2 aka The Road Warrior
13. A Shot in the Dark
14. Mad Max: Fury Road
15. Terminator 2: Judgment Day
17. From Russia with Love
19. The Lord of the Rings: The Two Towers
20. French Connection II
Results is not your typical romantic comedy. Surely, there are elements of both romance and comedy but the film wisely resists the standard clichés of the genre by exploring the pitfalls of relationships with perfectly cast actors. It’s the spirited performances director Andrew Bujalski (Computer Chess) draws from Guy Pearce, Cobie Smolders and Kevin Corrigan that breathes life into the humdrum of a plot. The humor is quirky, sly and subtle. Bujalski, known for his brand of idiosyncratic comedy, has made a film in Results that doesn’t reduce humor to the predictability of the ‘big joke’ or distracting, stylistic flourishes. It’s an observational, weirdly touching miniature that expresses an unassuming interest in questioning the perceptions we hold of ourselves and others.
Looking for some Holiday movies? Do you have the internet? Did you throw out your television and cancel your Netflix subscription to save some money this year? Well, look no further than Hoopla’s holiday curated list of Thanksgiving and Christmas-themed movies. It’s fast and easy to stream Hoopla’s catalog.
Go to Hoopladigital.com and sign in (logging in for the first time requires your in-district library card number and the creation of a password and email address) to your account. Scroll down to the “Movies” section and click on “Browse All” and then “Collections”.
There appears to be no plans on the part of the entertainment industry to reduce or diminish the presence of the Man-child (defined here as: a boorish, immature adult male without capacity for empathy or self-reflection) character. They are sadly, as ubiquitous as ever (we could blame Adam Sandler for this cultural scourge). That’s exactly what viewers get with the lead character of the comedic series The Last Man on Earth—a highly dysfunctional, selfish bozo in a man’s body. Former SNL actor/writer Will Forte lets it all hang out as earth’s final man, roaming the streets of Tucson, living day to day as though he were reverting back to an earlier, primordial period. And yet the best part of the show is the actress Kristen Schaal’s portrayal of the last woman on earth, the quirky but lovable grammar Nazi, Carol Pilbasian (one of my favorite actresses who stole scenes in Flight of the Conchords). The show has its moments, especially when the absurdity gives way to more tender scenes between Phil and Carol. It certainly has potential.
I haven’t watched Wings of Desire in quite some time but it’s a film that crossed my mind this afternoon after reading a news article about the singer Nick Cave (he makes a cameo late in the film). It’s a wonderful film directed by the German Wim Wenders and starring a fantastic Bruno Ganz, the American actor Peter Falk and Otto Sander. Hailed by critics upon its release in 1987, it’s a story about two angels (Damiel and Cassiel) stuck inside of a kind of purgatorial state, neither heaven nor hell, where angels are continuously present but without the benefit of the senses. The two of them wander the streets and drift about the West Berlin citizenry, unseen by everyone but children. They provide solace to the suffering and observe the human condition in all of its messy beauty, cruelty and chance. Ganz’s Damiel grows increasingly frustrated with this kind of aloof, calcified perfection. His wanting to know and to feel the emotional rawness of the human experience positions him in opposition to his duties. The desire to love and be loved, to taste both joy and pain begins to out weight the promise of an immortal yet detached life (one born before there were humans) of angelic service. Wenders has constructed a poetic fable about the embrace of life without the trappings of sentimentality.
Those who know me know that I love to watch movies. I also enjoy learning about the historical development of the art form of movie-making, including the evolution of its ideas, practices, technological changes, influences, major innovators, and economics. The 1970’s was an important era in film-making and the documentary film A Decade Under the Influence: The 70’s Films That Changed Everything is required viewing for those interested in the medium. Many of America’s best directors emerged in the wake of the dismantling of the Hollywood studio system in the late 1960's to tackle new subjects with raw, unfiltered candor and artistic verve. This film tells their story.
Young people will fall madly in love. War is hell. You could fill a football stadium with the number of books and films that have taught us these truths and so I cannot recommend Testament of Youth based in large part upon its frustrating resistance to provide viewers with something original. The dream crushing effect of war on the young people who wage it and those who must carry on afterward are dutifully, if not numbingly so, depicted with one tragic scene after another. Based upon the popular World War I memoir by Vera Brittain, Testament of Youth’s actors try their best (the actor Alicia Vikander is destined for stardom) to work with a lethargic screenplay that simply doesn’t allow viewers to feel anything but deadening sorrow.