Staff Picks: Movies
Staff-recommended viewing from the KPL catalog.
Nebraska, the movie, is filmed in black and white, which makes it different from the start. It is a slower, steady-paced story about an adult son’s resigned understanding toward his aging father who believes he has won a million dollars in a magazine sweepstakes.
Bruce Dern plays Woody Grant, the deteriorating father, and Will Forte plays, David, the son. June Squibb plays Kate, the brutally honest wife. The story begins with the father walking along the highway in Billings, Montana. A police officer stops the father and contacts the family to pick up the old man. The son retrieves his father who tells everyone that he is walking to the sweepstakes headquarters in Omaha, Nebraska to claim his fortune. He means what he says and the son realizes there is no stopping him. A road trip ensues. On the way they stop in Hawthorne, Nebraska, Woody’s hometown, occupied by many relatives and friends and former business acquaintances. They stay with Woody’s brother and sister-in-law and criminal sons. Woody announces to everyone that he’s going to be a millionaire. After that, every day is filled with drama, shananigans and tell-all stories from the past.
The believability of the characters and the story is bar-none. You become immersed in the events. It is quirky, goofy, frustrating and tender, all things human. Nebraska was nominated for six Academy Awards. The combination of actors and directors is superb.
In 2009, documentary filmmaker Alex Gibney (Catching Fire, Taxi to the Darkside) set out to chronicle the comeback of 7-time Tour de France winner Lance Armstrong. But history was about to be re-written in 2013, forcing Gibney to shelve the project as Armstrong’s legal woes grew and the public’s trust in his well-insulated fraud began to erode. The doping allegations and assertions that Armstrong and his cycling teams were systematically cheating had dogged Armstrong throughout his career, even as his storied fight against cancer and celebrity stardom grew, finally forced the world’s most accomplished cyclist to publically admit to cheating during his run as Tour champion, doing so last year on the Oprah Winfrey Show. Gibney scrapped his original plan for the film and re-worked The Armstrong Lie into a fascinating examination of Armstrong’s storybook ascent to prominence and his Shakespearean fall from grace. Cycling fans will love the insider information about the sport’s well documented history of cheaters and scandal but the film will also appeal to viewers interested in the psychological deconstruction of a man who seemingly had it all but who at the same time, pathologically lied to everyone while building a fortress of corruption around his "narrative". Armstrong apologists, if any exist, will have a difficult time in justifying the means of trickery that Armstrong enacted in order to rationalize the ends. This isn’t just a great piece of schadenfreude but also an engaging study on the power of celebrity, money and the addiction to win at all cost.
The Armstrong Lie
This year’s Cannes Film Festival winners included Winter Sleep (Best Film), Bennett Miller (Best Director), Julianne Moore (Best Actress) and Timothy Spall (Best Actor). Here’s a look back at some of the films that have previously been awarded the prestigious Palme d’or.
Taste of Cherry—1997
The White Ribbon—2009
Burn is an exhilarating documentary that takes viewers inside the day to day lives of Detroit firefighters, as they confront the enormously dangerous task of stamping out the city’s ceaseless torrent of burning buildings, many of which are the result of arson. The film also explores the tensions within city government and how firefighting services are impacted by Detroit’s dwindling resources, financial woes and political infighting. It’s a great film that is packed with humor, drama and genuine heroism.
Return to Me is a Heart warming tale and I chose those words on purpose. Bob (David Duchovny) is a construction worker and has a wife who works with primates. She has a special bond with one gorilla and they give each other special signs. She dies. She has to die because the whole movie is about Bob falling in love with the woman who receives his wife’s heart. Prior to her dying we are introduced to Grace ( Minnie Driver). She needs a heart and works in an Irish diner. Carol O’Connor is one of the owners and speaks with an Irish accent. I found it hard to believe that Archie Bunker had an Irish accent. We meet her sister played by Bonnie Hunt who wrote and directed this movie. So now you feel good about Grace, she has a nice family, she is deserving of a heart and she gets one. Time passes, Bob misses his wife but it has been enough time that we, the audience, do not feel he would be cheating on her, betraying her love if he met someone. Bob has come to terms with it. Bob gets set up on a blind date and guess which restaurant they choose. While at the restaurant Bob is inexplicitly drawn to Grace. He asks her out. She is not sure she wants to go out with anyone as her chest has a huge scar from the heart transplant. We are treated to their courtship, the eventual revealing of the heart transplant and whose heart it was. We see a scene where Grace is at the zoo and the gorilla is giving her the special sign. While I personally think a heart is just a muscle and does not encompass any of the personalities of its owner, it makes for a cute romantic movie. You feel for Bob. You want Grace to go out and have romance. You cheer when they do finally get together. And you have the added pleasure of hearing Archie Bunker talk with an Irish accent. What more could you want. Sit back, get your popcorn and enjoy.
Return to Me
From the folks at The Criterion Collection, explore road trip-themed movies over the summer months--many of which can be found in the KPL Catalog.
These Birds Walk is an unsanitized, visceral portrait of poverty, despair and the day-to-day struggles of an ambulance driver who ferries both dead bodies to and fro as well as transporting young runaways back to their families. Set in a Karachi (Pakistan) orphanage for unwanted and runaway children, the filmmakers have chosen to chronicle their subjects (Omar being the focus) without contextualizing or providing any sort of exposition. Their approach to their subject forces the viewer to become a voyeuristic fly on the wall of the orphanage, observing the young boys as they play, fight, laugh and confess the hopelessness of their lives. Viewers are also taken on a bumpy, chaotic ride through the busy streets of Karachi with an ambulance driver who works for the orphanage and who compassionately talks with the young boys. He sympathizes with their struggles because he too was once in the same situation. It’s easy to understand from simply reading the depth of despair on the faces of these children, how one living in these kinds of inhumane circumstances could be seduced by criminality or religious extremism. Their options are limited and they are under no illusions about their life’s trajectory. As grim a depiction of contemporary poverty as the film is, there are moments, albeit brief, where we glimpse the kindness of a stranger and the power it can wield.
These Birds Walk
Jim Jarmusch’s films are not for everyone. They are, however, incredibly influential and important in the history of American cinema. Slowly paced with quirky characters, his droll, often minimalist films explore the ironic and humanistic with equal attention. His films feel very American (the America on the margins that is) while at the same time, they are populated with Italian cabdrivers (Night on Earth), teenage Japanese tourists obsessed with early rock and roll (Mystery Train), and Hungarian immigrants (Stranger Than Paradise). His most accessible and mainstream movie to date is Broken Flowers, due in large part because of Bill Murray’s great performance as a romantically failed, wealthy introvert who wears retro sweat suits while sitting in the dark (during the day), watching television. It’s only when he receives a mysterious letter from one of his ex-girlfriends, suggesting that he has a son he never knew about, does he set out on a personal journey toward…well, maybe nothing and maybe everything. The moments within a journey are what fascinate Jarmusch about the human condition rather than a tightly sewn conclusion to a story. His cult classics Down by Law and Stranger Than Paradise cemented his reputation as an indie sweetheart with a wry sensibility and skill for reimagining genre and form by the early 1990’s. The release of his newest film (Only Lovers Left Alive) will once again shine the light on one of America’s most idiosyncratic, independent filmmakers.
Shola Lynch, a documentary filmmaker who has garnered much critical acclaim for her incisive and salient films, is one director whose films are invaluable, particularly for people like me who didn't live through the turbulent times they speak of. Lynch is interested in participatory democracy and how people, especially people who have been historically denied a voice (and a vote), forge new ways and means of being heard. As the director of Chisholm ’72 and Free Angela and All Political Prisoners, Lynch shares with audiences the stories of the titular African American women, both activists and leaders in political and social justice movements in the late 1960s to 70s.
Chisholm ’72: Unbought and Unbossed
Shirley Chisholm was our nation’s first Black congresswoman, and her gutsy run for president several years later was another first in U.S. History; she was working under the belief that people would vote with their conscience, rather than cynically voting for “the man most likely…” Lynch portrays the complicated political forces involved that make for a gripping story.
Free Angela and All Political Prisoners
Dr. Angela Davis sought social justice, not by running for elected office (that would transpire years later) but initially by teaching and working directly with local activists. The events that transpire thereafter are so incredible and outrageous that I cannot retell them with any justice here - Lynch has already done that.
Chisholm ’72: Unbought and Unbossed
DisneyNature has done it again. This time it is a year in the life of a Bear family. We follow Sky, the mother, and her two cubs Scout and Amber through the first year of their life. We start with their birth and we follow them cross the Alaska wilderness from the snowy mountains to the rivers full of salmon. It is spectacular scenery, breath taking views and a prodigious insight into the life of Bears. I saw DisneyNature-Bears in the theatre and paid movie going prices, you can place a hold now and see it for free from your library. We also have many more movies you may be interested in, come on in and take a look or go to our KPL website and browse from home.
DisneyNature – Bears