Here are some selected titles that staff feel are hidden gems, secret treasures or unknown classics that you may have missed or simply never knew existed.
Before Ryan Gosling was a huge movie star and occasional internet meme, he made the quirky, small budget film Lars and the Real Girl, a tale about a socially awkward man who falls in love with…yes…a blow up doll.
Years before he struck it big with Birdman, Alejandro Innaritu directed Amores Perros, a gritty film set in Mexico City that connects several storylines and characters together ala Paul Thomas Anderson’s Magnolia or Innaritu’s more commercially successful work Babel.
Safe is “a profoundly unsettling work from the great American director Todd Haynes, Safe functions on multiple levels: as a prescient commentary on self-help culture, as a metaphor for the AIDS crisis, as a drama about class and social estrangement, and as a horror film about what you cannot see. This revelatory drama was named the best film of the 1990s in a Village Voice poll of more than fifty critics.”—The Criterion Collection
Prior to Peter Jackson’s adaptations of the Lord of the Rings books, he and a young and relatively unknown actress named Kate Winslet collaborated on Heavenly Creatures, a shocking, true crime story that took place in New Zealand in the 1950’s. Two teenage girls develop an inseparable bond and as their fantasy-fueled relationship grows increasingly lethal, their parents attempt to break them apart.
Forbidden Games is a 1952 French film that depicts the macabre yet childlike way that an orphaned girl grapples with her grief after her parents are killed by the Germans during World War II. Befriended by a young boy and taken in by his peasant family, the adults are ill equipped to sympathize with the grisly ways in which the children cope with the trauma of war.
Certified Copy might be one of the more unique and certainly beguiling films to explore the complexities and narrative like qualities of a relationship. Similar to the Richard Linklater “Before” trilogy in that these films focus on dialogue more so than plotting and action, Iranian master filmmaker Abbas Kiarostami tackles questions about truth, authenticity and subjectivity both in how these ideas manifest themselves within human relationships as well as art.
Shadows was the first film from maverick American director John Cassavetes and while it doesn’t possess the richness and complexity of his later films, it marked a key moment in the history of American cinema for its low budget appearance and verite approach. Exploring interracial relationships in New York City during the Beat-era and originally scored by bassist Charles Mingus, Shadows is considered by historians as an early prototype for what came to be dubbed “independent cinema.”
Election—Alexander Payne’s debut hits all the right marks when it comes to this high school-set black comedy starring a fantastic Reese Witherspoon as the hyper-achieving foil to Matthew Broderick’s squeaky clean teacher.
Muriel—Alain Resnais, the late French master of fragmented pyscho-dramas with beguiling plot structures made his name with Hiroshima Mon Amour and Late Year at Marienbad but fans of those works should give this lesser known work the attention it deserves.
One of the most significant and original British directors of the post-war era, Nicolas Roeg has carved out a unique and influential oeuvre, making radically inventive films that advanced the grammar of cinema. Narratively complex and often puzzling films that work like mosaics, his films tend to have very powerful images and enigmatic shifts in tone that work to foster unease and uncertainty. Known for innovations in plotting, sound effects and editing, Roeg’s most well-known movies are his finest beginning in 1970 with the beguiling Performance, starring Mick Jagger. Walkabout (1971), Don’t Look Now (1973), The Man Who Fell to Earth (1975), Bad Timing (1980), and Insignificance (1985) have all been deemed by critics as significant contributions to movie making for their adventurous, envelope-pushing qualities. The Criterion Collection has recently released arguably his best and most commercially successful film, the psychological thriller Don’t Look Now, a film so full of misdirection and subtle ambiguities, viewers will want to return again and again to plumb its possible meanings. The film, ostensibly about a grieving couple working through their trauma takes on a more sinister tone when viewers are confronted early on in the film with the possibility that “nothing is what it seems.” An absolute masterpiece without categorization.
March was a decent month for film viewing as I've finally gotten around to seeing some high quality documentaries like The Pleasures of Being Out of Step. Here are some other highlights for your consideration.
10. Fox Catcher
9. Top Five
8. Force Majeure
7. Boy Meets Girl
6. The Overnighters
5. Life Itself
4. Days of Being Wild
3. The Internet's Own Boy
2. The Soft Skin
1. A Summer's Tale (Eric Rohmer may not be as well known as his French New Wave compatriots Jean-Luc Godard and Francois Truffaut but this late film (1996), finally released in the United States, proved his knack for chatty characters on scenic locales could still elicit charming insights about youthful romance and relationships thirty years after his peak.
March is Women’s History Month and so in keeping with the theme of highlighting the achievements and contributions of women involved with movie-making, here’s a list of writers, directors and some of their groundbreaking works.
Ava DuVernay (I Will Follow, Middle of Nowhere, Selma)
Agnes Varda (Cleo from 5 to 7, Vagabond)
Kathryn Bigelow (The Hurt Locker, Zero Dark Thirty)
Lena Dunham (Girls, Tiny Furniture)
Maya Deren (Maya Deren: Experimental Films)
Penny Marshall (A League of Their Own)
Allison Anders (Border Radio)
Claire Denis (White Material, Bastards)
Chantal Akerman (From the Other Side, Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles)
Lynne Ramsay (Ratcatcher)
Ida Lupino (The Hitchhiker)
Elaine May (The Birdcage, A New Leaf)
I’m not gonna lie: As much as I personally loved Academy Award Best Picture winner Birdman more than expected winner Boyhood, I’m still shocked that the artsy and eccentric tale of a washed-up superhero actor trying to do “legitimate theater” (and please in your head imagine that pronounced as “theee-ATER”) beat out the wholesome, relatable, coming-of-age tale that was filmed over the course of twelve years. I’m certainly happy for Birdman—just not so happy about what it did to my Oscar pool. In addition to Best Picture, Birdman picked up wins for Best Director (Alejandro G. Iñárritu), Best Cinematography (Emmanuel Lubezki) and Best Original Screenplay (Alejandro G. Iñárritu, Nicolás Giacobone, Alexander Dinelaris, Jr. & Armando Bo).
In case you’d like to catch any of the other available Oscar winners that you may have missed, I’ve listed them below. Click on the links and place a hold on a copy today.
- My favorite film of the year, Whiplash, picked up three wins for Best Supporting Actor (J.K. Simmons), Best Film Editing (Tom Cross), and Best Sound Mixing.
- Many people won for working on Wes Anderson’s The Grand Budapest Hotel—except poor Wes Anderson himself; the film won for Best Original Score (Alexandre Desplat), Best Costume Design (Milena Canonero), Best Production Design (Adam Stockhausen), and Best Makeup and Hairstyling.
- Be sure to check out Eddie Redmayne’s Best Actor performance as Stephen Hawking in The Theory of Everything; it was a well-deserved win.
- Boyhood's lone win was for Best Supporting Actress (Patricia Arquette).
- Disney’s Big Hero 6 won for Best Animated Feature; the Best Animated Short winner, Feast, can be found on the Big Hero DVD or Blu-ray.
- Best Foreign Film winner Ida is amazing and you should watch it--regardless of your unfortunate and snooty hatred of subtitles.
The following winners will be released soon and are available for holds now:
Keep checking back for Still Alice, for which Julianne Moore won Best Actress, Selma, which featured Best Original Song winner “Glory” by John Legend and Common, and must-see Best Documentary Feature winner CitizenFour. We don’t have releases for these titles yet, but we will assuredly carry them.
Writer, actor and filmmaker Peter Bogdanovich once said that it was always the French who told us what was great about American filmmaking, in essence, that the French tended to be more enthusiastic about particular films and filmmakers that were under-appreciated by American audiences and Hollywood studios (examples would include: Orson Welles, Sam Fuller and Howard Hawkes). It was also the French who took the American crime thriller genre and elements of film noir and who with stylish flare re-modeled two decades worth of brilliant movies that depicted criminal protagonists and their anti-social activities (see: Rififi, Bob the Gambler, Les Doulos, Le Samourai, Shoot the Piano Player, and Breathless).
One of these outstanding films is Touchez Pas Au Grisbi (1954), starring a washed up, leading man (Jean Gabin) and an unknown actress who would become an international star in the coming years (Jeanne Moreau). Everything simply clicks in this Jacques Brecker directed film about an aging gangster who just wants to retire after a big heist. Gabin plays the affable Max, a man who is both loved and respected by the women and fellow mobsters in his life. When his beloved but bumbling side-kick Riton becomes embroiled in a messy dispute with another gangster, Max must choose between his money and his friendship. The title translates as Don’t Touch the Loot but fans of film noir should certainly get their hands on this classic.
Oscar nominations were announced yesterday, which means it’s once again time for me to let all the obsessive movie lovers out there know which films are available right now (or very soon), here at the Kalamazoo Public Library.
The first film you’ll want to get your hands on is Richard Linklater’s Boyhood. Nominated for six Academy Awards, this critical darling is the front-runner for Best Picture, Best Director (Linklater) and Best Supporting Actress (Patricia Arquette). It also received nominations for Best Actor (Ethan Hawke), Film Editing, and Original Screenplay. Boyhood is an epic coming-of-age tale that was filmed over the course of twelve years using the same actors. The story follows the journey of young Mason Evans as he ages from six to eighteen, and the viewer can literally watch the young actor grow and mature before their very eyes. It’s truly a great achievement in filmmaking.
The next movie you’ll want to watch is Wes Anderson’s The Grand Budapest Hotel, which received nine nominations—tied for the most this year. It was recognized for Best Picture, Best Director (Anderson), Original Screenplay, Cinematography, Costume Design, Film Editing, Makeup and Hairstyling, Original Score and Production Design. The hilarious film follows the exploits of a hotel concierge (Ralph Fiennes) and his lobby boy (Tony Revolori) as they attempt to wrest a valuable painting from the estate of a recently deceased elderly patron. Surprisingly, this is Anderson’s first Best Director nomination and the first of his films to get nominated for Best Picture.
After that, it might be time for a marathon of Best Visual Effects nominees: Dawn of the Planet of the Apes, Captain America: The Winter Soldier, X-Men: Days of Future Past, and Guardians of the Galaxy (also nominated for Makeup and Hairstyling). Come to think of it, if there were an Oscar for the length of the movie title, these would probably be the nominees for that as well.
Then turn your eye to Best Animated Feature nominees: How to Train Your Dragon 2 is out now; The Boxtrolls and Big Hero 6 are not available yet, but they will be soon and you can place a hold on them right now. Shockingly, everything was not awesome for The LEGO Movie, which did not get nominated for Best Animated Feature as expected, but it did still pick up a nomination for Best Original Song with “Everything Is Awesome,” performed by Tegan and Sara (featuring The Lonely Island).
Next, you’ll want to check out Disney’s Maleficent, nominated for Best Costume Design; Finding Vivian Maier, a Best Documentary Feature nominee; Begin Again, Original Song nominee for “Lost Stars”; and Ida, which scored both Best Cinematography as well as Best Foreign Film.
Best Documentary nominee Virunga is available via our streaming service hoopla.
There are several more nominees that are arriving within the next several weeks that you can place a hold on right now, including eight-time nominee The Imitation Game. This true, tragic story of Alan Turing, father of the modern computer and preeminent World War II code-breaker, scored recognition for Best Picture, Best Director (Morten Tyldum), Best Actor (Benedict Cumberbatch), Best Supporting Actress (Keira Knightley), Adapted Screenplay, Film Editing, Original Score, and Production Design. The other coming-soon films that you can place a hold on now are Gone Girl (Best Actress – Rosamund Pike), The Judge (Best Supporting Actor – Robert Duvall), Nightcrawler (Original Screenplay), and Beyond the Lights (Original Song).
So start binging today, and be sure to keep checking our catalog for other Oscar nominated films as more of them become available.
For many of the Oscar nominated films that are still in theaters, be sure to check out downtown Kalamazoo’s Alamo Drafthouse Theater, which is currently playing American Sniper (6 nominations), Foxcatcher (5 nominations), Into the Woods (3 nominations), Selma (2 nominations), Inherent Vice (2 nominations), and the aforementioned The Imitation Game (8 nominations).
Even if you haven’t seen the classic Billy Wilder film Sunset Boulevard (1950), you have likely heard it quoted by someone on television or in another movie. There are several legendary lines delivered by lead actress Gloria Swanson that have become embedded within pop culture’s vernacular. The film has elements of both satire and film noir but at its heart, the film is a cautionary tale about the excesses of wanting too much and the delusions of grandeur that derive from that desire. Swanson plays a long forgotten screen actress of the silent movie era named Norma Desmond. Sadly, she exists within the fantasy land of her mind’s obsession with becoming a star again (“don’t call it a comeback”). She lives with her stern but loyal butler in an old Hollywood mansion on Sunset Boulevard. When she meets a desperate, struggling screenwriter named Joe Gillis (William Holden) and convinces him to draft a film for her return to the big screen (a task he’s not particularly interested in), Norma’s hallucinatory grasp on reality grows into an explosive confrontation between she and Joe that won’t end well for either party.
The following were my favorite movies of the past year that are available from the KPL movie collection. Some are classics, many are foreign language, a few are funny, and on occasion, a masterpiece or two made the list. There were also the casual discoveries of pulling a movie from the shelf without knowing that much about it and being pleasantly surprised. Hopefully, there's something for everyone to enjoy. It was a good year to cross off a few from my ever-growing bucket list of movies to watch.
The Funny: The Grand Budapest Hotel, Bull Durham, The Big Chill, Bad Words, and The Trip to Italy
The Masterpieces and Classics: Safe, Rififi, 2001: A Space Odyssey, The Vanishing, Persona, Double Indemnity, Eternity and a Day, Autumn Sonata, Pierre le Fou, Down By Law, Walkabout, Brute Force, The American Friend, Johnny Guitar, Ida, Hail Mary
The Surprises: Omar, Certified Copy, The Landlord, Black Orpheus, The Double, Still Walking, Secret Sunshine, Purple Noon, Gerry, Mystery Train, Happy Together, 2046, Captain Philips, Bronson
Documentaries: Black Fish, The Punk Singer, Beware Mr. Baker, Benjamin Smoke, The Bones Brigade: An Autobiography, These Birds Walk, Plimpton, The Armstrong Lie, Cousin Jules, Harry Dean Stanton.
If the snowy weather’s got you down and you want to watch people who are colder than you are, or if you’re in the mood to wallow in mankind’s devastating effect on global temperatures—or if you just like a good sci-fi action movie—check out the recent South Korean (but mostly English language) release Snowpiercer. Based off the French graphic novel Le Transperceneige and co-written and directed by Bong Joon-ho, best known for the rollickingly great rampaging monster flick The Host, Snowpiercer is set in a dystopian future where mankind’s attempts to reverse global warming have expedited a new Ice Age that has killed off most life on the planet. The few humans that remain live on the Snowpiercer, a massive train that continuously circumnavigates the globe. Within the train, people are divided into social classes, with the poor living in squalor in the rearmost cars, cruelly lorded over by the wealthiest passengers from the front cars. But a revolution is brewing, as man-with-a-past Curtis (Captain America’s Chris Evans) leads the impoverished on a car-by-car battle towards the engine, with hopes of overthrowing the Snowpiercer’s creator and authoritarian leader, played by Ed Harris.
Shot with cinematic grandeur, Snowpiecer succeeds on many levels: as suspenseful fight-laden actioner; as a dystopian fable; as a commentary on our environmental malfeasance; and, as an acting showcase—Tilda Swinton’s gonzo portrayal of a ministerial henchwoman is worth the proverbial price of admission alone. So check it out—the icy backdrop and chilly social undertones may just be the belly-warming tonic you need to make it through these first few frozen weeks of the season.