Oscar nominations were announced yesterday, which means it’s once again time for me to let all the obsessive movie lovers out there know which films are available right now (or very soon), here at the Kalamazoo Public Library.
The first film you’ll want to get your hands on is Richard Linklater’s Boyhood. Nominated for six Academy Awards, this critical darling is the front-runner for Best Picture, Best Director (Linklater) and Best Supporting Actress (Patricia Arquette). It also received nominations for Best Actor (Ethan Hawke), Film Editing, and Original Screenplay. Boyhood is an epic coming-of-age tale that was filmed over the course of twelve years using the same actors. The story follows the journey of young Mason Evans as he ages from six to eighteen, and the viewer can literally watch the young actor grow and mature before their very eyes. It’s truly a great achievement in filmmaking.
The next movie you’ll want to watch is Wes Anderson’s The Grand Budapest Hotel, which received nine nominations—tied for the most this year. It was recognized for Best Picture, Best Director (Anderson), Original Screenplay, Cinematography, Costume Design, Film Editing, Makeup and Hairstyling, Original Score and Production Design. The hilarious film follows the exploits of a hotel concierge (Ralph Fiennes) and his lobby boy (Tony Revolori) as they attempt to wrest a valuable painting from the estate of a recently deceased elderly patron. Surprisingly, this is Anderson’s first Best Director nomination and the first of his films to get nominated for Best Picture.
After that, it might be time for a marathon of Best Visual Effects nominees: Dawn of the Planet of the Apes, Captain America: The Winter Soldier, X-Men: Days of Future Past, and Guardians of the Galaxy (also nominated for Makeup and Hairstyling). Come to think of it, if there were an Oscar for the length of the movie title, these would probably be the nominees for that as well.
Then turn your eye to Best Animated Feature nominees: How to Train Your Dragon 2 is out now; The Boxtrolls and Big Hero 6 are not available yet, but they will be soon and you can place a hold on them right now. Shockingly, everything was not awesome for The LEGO Movie, which did not get nominated for Best Animated Feature as expected, but it did still pick up a nomination for Best Original Song with “Everything Is Awesome,” performed by Tegan and Sara (featuring The Lonely Island).
Next, you’ll want to check out Disney’s Maleficent, nominated for Best Costume Design; Finding Vivian Maier, a Best Documentary Feature nominee; Begin Again, Original Song nominee for “Lost Stars”; and Ida, which scored both Best Cinematography as well as Best Foreign Film.
Best Documentary nominee Virunga is available via our streaming service hoopla.
There are several more nominees that are arriving within the next several weeks that you can place a hold on right now, including eight-time nominee The Imitation Game. This true, tragic story of Alan Turing, father of the modern computer and preeminent World War II code-breaker, scored recognition for Best Picture, Best Director (Morten Tyldum), Best Actor (Benedict Cumberbatch), Best Supporting Actress (Keira Knightley), Adapted Screenplay, Film Editing, Original Score, and Production Design. The other coming-soon films that you can place a hold on now are Gone Girl (Best Actress – Rosamund Pike), The Judge (Best Supporting Actor – Robert Duvall), Nightcrawler (Original Screenplay), and Beyond the Lights (Original Song).
So start binging today, and be sure to keep checking our catalog for other Oscar nominated films as more of them become available.
For many of the Oscar nominated films that are still in theaters, be sure to check out downtown Kalamazoo’s Alamo Drafthouse Theater, which is currently playing American Sniper (6 nominations), Foxcatcher (5 nominations), Into the Woods (3 nominations), Selma (2 nominations), Inherent Vice (2 nominations), and the aforementioned The Imitation Game (8 nominations).
The following were my favorite movies of the past year that are available from the KPL movie collection. Some are classics, many are foreign language, a few are funny, and on occasion, a masterpiece or two made the list. There were also the casual discoveries of pulling a movie from the shelf without knowing that much about it and being pleasantly surprised. Hopefully, there's something for everyone to enjoy. It was a good year to cross off a few from my ever-growing bucket list of movies to watch.
The Funny: The Grand Budapest Hotel, Bull Durham, The Big Chill, Bad Words, and The Trip to Italy
The Masterpieces and Classics: Safe, Rififi, 2001: A Space Odyssey, The Vanishing, Persona, Double Indemnity, Eternity and a Day, Autumn Sonata, Pierre le Fou, Down By Law, Walkabout, Brute Force, The American Friend, Johnny Guitar, Ida, Hail Mary
The Surprises: Omar, Certified Copy, The Landlord, Black Orpheus, The Double, Still Walking, Secret Sunshine, Purple Noon, Gerry, Mystery Train, Happy Together, 2046, Captain Philips, Bronson
Documentaries: Black Fish, The Punk Singer, Beware Mr. Baker, Benjamin Smoke, The Bones Brigade: An Autobiography, These Birds Walk, Plimpton, The Armstrong Lie, Cousin Jules, Harry Dean Stanton.
At its core, the Wong Kar-Wai film 2046 (2004) is about the anchor of memory and the struggle to move beyond the emotional stasis of ill-fated love. Developed as an associated sequel to his breathtaking classic In the Mood for Love (2000), it’s a poignant and heart-wrenching follow-up that restarts the story of Mr. Chow, an uninspired writer of pulp whose life as an aloof playboy incapable of emotionally connecting with the several women he encounters both in real life and in literature. While a central character from ITMFL is alluded to several times during the film, often hanging over the plot like a ghostly signifier for Chow’s past, one could conceivably view 2046 as a singular film about the pitfalls of timing but I would highly recommend beginning with ITMFL before undertaking the narratively intricate arcs of 2046 (there are countless allusions to the previous film that will function only to confuse the audience).
Mostly set in Hong Kong during the latter part of the 1960’s, Mr. Chow (played brilliantly by actor Tony Leung) is writing a Science Fiction story about the year 2046, a time and place where people go to relive their memories, a place where nothing changes. No one has ever come back from 2046 except for the teller of the tale, a Japanese man named Tak, a kind of stand-in for Chow. Chow’s unsentimental affair with a call girl who lives in an adjacent apartment (room number 2046) is achingly born out of Chow’s loneliness and boredom with his career but she has an earnest and quixotic plan for him that will force him to address his yearning for a past that has come and gone. Both films masterfully depict moodiness and atmosphere like few others in due part to the sensual cinematography of Christopher Doyle and use of melodic music to evoke the interior longing of characters. Prepare for a non-linear plot that jumps backward and forward throughout the film.
Recent internet buzz about a leaked trailer for the newest installment of the Star Wars series and the release of Christopher Nolan’s film Interstellar (in theaters now) got me thinking about the first, great science fiction film, Stanley Kubrick’s 2001: A Space Odyssey. It’s a beautiful enigma of a film that continues to stand up to the test of time given its enduring philosophical and scientific themes, not to mention its visual originality and marked refusal to conform to commercial and artistic conventions. It should be noted that it was not everyone’s cup of tea when it originally opened in movie theaters in 1968 and it’s glacial pacing, minimalist dialogue and conceptual approach to narrative won’t please many of today’s film viewers but for those willing to give into its pondering lyricism and subtle jabs at satire and social commentary, you will be rewarded.
If the snowy weather’s got you down and you want to watch people who are colder than you are, or if you’re in the mood to wallow in mankind’s devastating effect on global temperatures—or if you just like a good sci-fi action movie—check out the recent South Korean (but mostly English language) release Snowpiercer. Based off the French graphic novel Le Transperceneige and co-written and directed by Bong Joon-ho, best known for the rollickingly great rampaging monster flick The Host, Snowpiercer is set in a dystopian future where mankind’s attempts to reverse global warming have expedited a new Ice Age that has killed off most life on the planet. The few humans that remain live on the Snowpiercer, a massive train that continuously circumnavigates the globe. Within the train, people are divided into social classes, with the poor living in squalor in the rearmost cars, cruelly lorded over by the wealthiest passengers from the front cars. But a revolution is brewing, as man-with-a-past Curtis (Captain America’s Chris Evans) leads the impoverished on a car-by-car battle towards the engine, with hopes of overthrowing the Snowpiercer’s creator and authoritarian leader, played by Ed Harris.
Shot with cinematic grandeur, Snowpiecer succeeds on many levels: as suspenseful fight-laden actioner; as a dystopian fable; as a commentary on our environmental malfeasance; and, as an acting showcase—Tilda Swinton’s gonzo portrayal of a ministerial henchwoman is worth the proverbial price of admission alone. So check it out—the icy backdrop and chilly social undertones may just be the belly-warming tonic you need to make it through these first few frozen weeks of the season.
There’s just not enough time to compose a lengthy review of some of the great and not-so great feature films, television series and documentaries that I’ve caught over the past month, so instead, I’m handing out a grade and an abridged appraisal.
Bastards—A grim, pointless waste of time from French Director Claire Denis (C-)
Hateship Loveship—Continued proof that former SNL star comedian Kristin Wiig should keep looking for dramatic roles (B)
Orphan Black—Yes, lead actress Tatiana Maslany was robbed of an Emmy nomination for her multiple roles in this great BBC-produced show about clones (A)
Requiem for the Big East—For college basketball fans who grew up in the 1980’s and recall watching these legendary teams, this ESPN documentary will rouse a healthy dose of nostalgia (B+)
The Bridge—in keeping with the very trendy, neo-noir subject of serial killing and the relationship between detectives charged with solving the mysteries (see: True Detective), this cross-border drama explores the messy dialectics of national politics, the consequences of drug/human trafficking and the tension between rich and poor (B+)
Captain Phillips—nothing here was particularly new, assuming you followed the story when it originally unfolded, but it still remains a dramatically compelling, well-paced action film that will jump-start your adrenalin (A-)
Top Hat & Tales: Harold Ross and the Making of the New Yorker—a satisfactory if not condensed portrait of an eccentric visionary and his creative collaborators who developed a unique and lasting publication (B)
Palo Alto—a drained, vacuous sketch of the psychic ennui of rich, white teens whose lives gravitate around sex, drugs, video games and pathetic, exploitative adults (D)
Stephen King’s Sleepwalkers starts out by having Charles Brady played by Brian Krause get up in front of his class in school and read his paper about Sleepwalkers; a mother and her son and how they have to run from town to town never settling down, how the men would always come to hunt them and thus they give you the whole back story in a nut shell. Just prior to that they had a scene where Charles’ mother is telling him she is so hungry and that he has to find a virgin and bring her home so she can feed. So we know from the get go that they are these are vampire like creatures. Side note: Brian Krause was Leo on Charmed and played an angel. In this role he is the antithesis of an angel. The movie is entertaining and has cameos with Stephen King and Clive Barker which almost makes it worth watching right there. One meant to be over the top humorous scene is when Charles severs the hand of his teacher and says “People should really learn to keep their hands to themselves. Here’s yours” and he tosses the severed hand back to him. I like the way Charles and his mother change into a sleepwalker appearance. It reminded me of the television show Buffy or Angel. Their faces morph into this vampire dog like look. This isn’t the scariest movie, no big suspense build up but it is enjoyable, I especially liked the cameos and the bit overdone humor. This movie is memorable. I was talking with my friend Carlos and he saw it in Spanish. It came out in 1992, he was in the 7th grade at the time and he remembered this movie especially the murdered dead cats and that the Sleepwalkers were scared of cats. For a 7th grader this is a frightening movie.
The Last Mimzy is about a sister and her brother who discover a box of toys which turns out to be from the future sent back in time. The children of course keep this from their parents. The little girl gets a stuffed rabbit from the box and his name is Mimzy. The girl can communicate with the bunny. The Children develop special powers and try to help Mimzy fulfill his mission. This was recommended to me and as I started watching it, I came to realize I had seen it before. But I liked it just as much if not more the second time and so will you. Come on down to KPL and check it out.
Goosebumps is a series of stories by R.L. Stine designed to give you Goose Bumps, to make you get a tiny bit frightened. These stories are geared towards children, I’d say between ages 6 and 12 but it depends on the child. In Goosebumps One Day at HorrorLand a family is on vacation and comes across an amusement park called HorrorLand. They stop and go in. The two children go to the house of mirrors and the girl feels like the walls are caving in and she is going to be crushed when the floor falls out and she is expelled. The boy pops out shortly after and thinks it was a blast. Later we find that the monsters are real and the humans are on a monster reality show. The costumes are very non real looking so as an adult you are nonplussed but for a little kid it can be scary.
This DVD has two movies, the second is titled Welcome to Camp Nightmare. I found this one more to my liking. A bus takes a group of children out into the woods for a campout. Things start happening, like a snake bites one of the campers. To me this was horrifying. They used what looks like a real snake and I have a phobia for snakes. I quickly fast forwarded. Later in the movie they complement Billy on how he trapped the snake. You can’t prove that by me but I’m not checking on it either. The camper who was bitten dies and weirdly the camp consolers tell Billy that camper was never here. Other strange things happen, two campers drown in the lake and a werewolf is prowling the woods. All culminating in the ending which I will not reveal here. Except for the snake this was a pretty good short 45 min movie.
Goosebumps One Day at Horrorland and Welcome to Camp Nightmare
Under the Skin is a new film that will figuratively get under your skin with its nightmarishly surreal images and discomfiting plot. Simply put, it’s a slow-burning, almost dialogue free collection of bizarre images that possess a creepiness that leaves its evocative residue all over your mind well after the credits have rolled by. The film is careful to make sure that the weirdness is couched in ideas, specifically notions about perception and how we look at one another often from unfamiliar perspectives. Ultimately, the film feels as though it should have been fleshed out into something on an expanded scale with a more substantive engagement with its ideas. A perfect film, no. A must-see film, absolutely.
Under the Skin