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Staff Picks: Movies

Hidden Gems

Here are some selected titles that staff feel are hidden gems, secret treasures or unknown classics that you may have missed or simply never knew existed.

Before Ryan Gosling was a huge movie star and occasional internet meme, he made the quirky, small budget film Lars and the Real Girl, a tale about a socially awkward man who falls in love with…yes…a blow up doll.

Years before he struck it big with Birdman, Alejandro Innaritu directed Amores Perros, a gritty film set in Mexico City that connects several storylines and characters together ala Paul Thomas Anderson’s Magnolia or Innaritu’s more commercially successful work Babel.

Safe is “a profoundly unsettling work from the great American director Todd Haynes, Safe functions on multiple levels: as a prescient commentary on self-help culture, as a metaphor for the AIDS crisis, as a drama about class and social estrangement, and as a horror film about what you cannot see. This revelatory drama was named the best film of the 1990s in a Village Voice poll of more than fifty critics.”—The Criterion Collection

Prior to Peter Jackson’s adaptations of the Lord of the Rings books, he and a young and relatively unknown actress named Kate Winslet collaborated on Heavenly Creatures, a shocking, true crime story that took place in New Zealand in the 1950’s. Two teenage girls develop an inseparable bond and as their fantasy-fueled relationship grows increasingly lethal, their parents attempt to break them apart.

Forbidden Games is a 1952 French film that depicts the macabre yet childlike way that an orphaned girl grapples with her grief after her parents are killed by the Germans during World War II. Befriended by a young boy and taken in by his peasant family, the adults are ill equipped to sympathize with the grisly ways in which the children cope with the trauma of war.

Certified Copy might be one of the more unique and certainly beguiling films to explore the complexities and narrative like qualities of a relationship. Similar to the Richard Linklater “Before” trilogy in that these films focus on dialogue more so than plotting and action, Iranian master filmmaker Abbas Kiarostami tackles questions about truth, authenticity and subjectivity both in how these ideas manifest themselves within human relationships as well as art.

Shadows was the first film from maverick American director John Cassavetes and while it doesn’t possess the richness and complexity of his later films, it marked a key moment in the history of American cinema for its low budget appearance and verite approach. Exploring interracial relationships in New York City during the Beat-era and originally scored by bassist Charles Mingus, Shadows is considered by historians as an early prototype for what came to be dubbed “independent cinema.”

Election—Alexander Payne’s debut hits all the right marks when it comes to this high school-set black comedy starring a fantastic Reese Witherspoon as the hyper-achieving foil to Matthew Broderick’s squeaky clean teacher.

Muriel—Alain Resnais, the late French master of fragmented pyscho-dramas with beguiling plot structures made his name with Hiroshima Mon Amour and Late Year at Marienbad but fans of those works should give this lesser known work the attention it deserves.


The Best 10 Films I've Seen Lately

March was a decent month for film viewing as I've finally gotten around to seeing some high quality documentaries like The Pleasures of Being Out of Step. Here are some other highlights for your consideration.

10. Fox Catcher

9. Top Five

8. Force Majeure

7. Boy Meets Girl

6. The Overnighters

5. Life Itself

4. Days of Being Wild

3. The Internet's Own Boy

2. The Soft Skin

1. A Summer's Tale (Eric Rohmer may not be as well known as his French New Wave compatriots Jean-Luc Godard and Francois Truffaut but this late film (1996), finally released in the United States, proved his knack for chatty characters on scenic locales could still elicit charming insights about youthful romance and relationships thirty years after his peak.  

 


Gloria

Gloria loves to hit the dance floor at the singles club and the act of moving her body to music seems to open her up to both the joy and disappointment of life and that’s where we find her at both the beginning and ending of the movie. Set in Chile, Gloria follows a woman in her late fifties as she painfully twists and turns around the up’s and down’s of single life. Divorced for over a decade and with her adult children living independently, Gloria grows increasingly anxious about the passing of her golden years. She’s alone and looking for something or someone to fill the emotional gaps of her life. She believes that she has found a willing partner in Rodolfo, an older man that possesses the passion she’s looking to embrace. Actress Paulina Garcia puts in a brilliant performance as a woman of a “certain age” struggling to find stability and calm in the second act of her life.


Women's History Month Highlights

March is Women’s History Month and so in keeping with the theme of highlighting the achievements and contributions of women involved with movie-making, here’s a list of writers, directors and some of their groundbreaking works.

Ava DuVernay (I Will Follow, Middle of Nowhere, Selma)
Agnes Varda (Cleo from 5 to 7, Vagabond)
Kathryn Bigelow (The Hurt Locker, Zero Dark Thirty)
Lena Dunham (Girls, Tiny Furniture)
Maya Deren (Maya Deren: Experimental Films)
Penny Marshall (A League of Their Own)
Allison Anders (Border Radio)
Claire Denis (White Material, Bastards)
Chantal Akerman (From the Other Side, Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles)
Lynne Ramsay (Ratcatcher)
Ida Lupino (The Hitchhiker)
Elaine May (The Birdcage, A New Leaf)


Master of Alienation

Has there ever been a more handsome cipher than Monica Vitti in L’Eclisse, the third film in a thematic trilogy (L’ Avventura, La Notte) of sorts from Italian director Michelangelo Antonioni. Antonioni’s contribution to film history primarily centers around these three films and their radical break with traditional traits associated with classical movie-making and for their resistance to narrative meaning. Confounding audiences because of their slowly paced plots, minimalist dialogue and murky tones, the films are visual portraits of emotional stasis, spiritual decay and psychic ennui of Italy’s post-war bourgeoisie. 

Inspired by painting and framing scenes from unique perspectives and angles, scenes of L’Eclisse are lined with modern painting’s focus on abstraction and disorientation so as to express the kinds of intense unease of characters and their sense of dread and anxiety. Vitti was the director’s muse both in life and on film during this time period and she more than adequately symbolizes Antonioni’s exploration of modern alienation and its various forms. She knows nothing, feels nothing and floats about the Roman suburbs in a kind of haze of indifference. Recommended for those interested in the art house cinema of the early 1960’s.


A Birdman in the Hand Is Worth 4 Oscars in the Bush

I’m not gonna lie: As much as I personally loved Academy Award Best Picture winner Birdman more than expected winner Boyhood, I’m still shocked that the artsy and eccentric tale of a washed-up superhero actor trying to do “legitimate theater” (and please in your head imagine that pronounced as “theee-ATER”) beat out the wholesome, relatable, coming-of-age tale that was filmed over the course of twelve years.  I’m certainly happy for Birdman—just not so happy about what it did to my Oscar pool.  In addition to Best Picture, Birdman picked up wins for Best Director (Alejandro G. Iñárritu), Best Cinematography (Emmanuel Lubezki) and Best Original Screenplay (Alejandro G. Iñárritu, Nicolás Giacobone, Alexander Dinelaris, Jr. & Armando Bo).

In case you’d like to catch any of the other available Oscar winners that you may have missed, I’ve listed them below. Click on the links and place a hold on a copy today.

  • My favorite film of the year, Whiplash, picked up three wins for Best Supporting Actor (J.K. Simmons), Best Film Editing (Tom Cross), and Best Sound Mixing.
  • Many people won for working on Wes Anderson’s The Grand Budapest Hotel—except poor Wes Anderson himself; the film won for Best Original Score (Alexandre Desplat), Best Costume Design (Milena Canonero), Best Production Design (Adam Stockhausen), and Best Makeup and Hairstyling.
  • Be sure to check out Eddie Redmayne’s Best Actor performance as Stephen Hawking in The Theory of Everything; it was a well-deserved win.
  • Boyhood's lone win was for Best Supporting Actress (Patricia Arquette).
  • Disney’s Big Hero 6 won for Best Animated Feature; the Best Animated Short winner, Feast, can be found on the Big Hero DVD or Blu-ray.
  • Best Foreign Film winner Ida is amazing and you should watch it--regardless of your unfortunate and snooty hatred of subtitles.

The following winners will be released soon and are available for holds now:

Keep checking back for Still Alice, for which Julianne Moore won Best Actress, Selma, which featured Best Original Song winner “Glory” by John Legend and Common, and must-see Best Documentary Feature winner CitizenFour.  We don’t have releases for these titles yet, but we will assuredly carry them.

 


Wages of Fear

Arguably one of the first great films to seamlessly embody multiple categories of genres including action, drama, social criticism, and suspense, Wages of Fear was a smash hit in France in 1953 for director Henri-Georges Clouzot (the film was infamously censored by the American film industry in 1955 for its suggestive sympathies with leftist politics). Set in an impoverished oil company town in Brazil, an assortment of underemployed European and American expats lament their financial woes and lack of job opportunities at the town’s second most profitable business, the bar. When the oil company seeks out four men willing to drive two trucks filled with containers of nitroglycerin to a part of the country where an oil rig is on fire, four men with very little in common other than their poverty must put aside personal animosity, fear and pride in order to safely arrive in one piece. This is a tense work that will make your palms sweat as you root for the men to survive each obstacle they encounter, knowing that danger lurks around every pothole and pebble in the road.


Romance Is In the Air

If you're looking to supplement your Valentine's Day activities with some movie-watching, here are some standard and not-so standard (the quirky, the weird and the sad) romantic films from the KPL collection.

An Affair to Remember

About Time

The Time Traveler's Wife

Her

The Fault in Our Stars

Love Story

Never Let Me Go

When Harry Met Sally

Notting Hill

Casablanca

Brokeback Mountain

Amelie

Annie Hall

Before Sunrise, Before Sunset, Before Midnight

Eternal Sunshine of the Spotless Mind

Voyage In Italy

Happy Together

In the Mood for Love

2046

Matter of Life and Death

The Age of Innocence

Out of Africa

The Apartment

The Way We Were

Harold and Maude

 

 

 


Ram-Leela: A Bollywood Romeo and Juliet

 When my girls were younger we loved the Bollywood films because they were full of singing, dancing, beautiful costumes, handsome men and gorgeous women. Ram-Leela , a 2013 film directed by Sanjay Leela Bhansali , is like that. It has beautiful, beautiful saris, tons of jewelry, a very handsome lead star and the most beautiful heiress. There’s lots of singing and dancing. The film is more modern than I’m used to. The dance moves have lots of hip action and everyone is running around with cell phones and guns.

Ram-Leela is about a couple that falls in love. Their clans have been at war for 5 centuries. Ram is from a crime family and Leela is an heiress, whose mother is ruthless and determined to marry Leela, her jewel, off to a good family. Oh, there are so many surprises with this modern day Romeo and Juliet plot you would think I wouldn’t  be surprised, but I was crushed. Oh and yeah, there are subtitles, but reading the subtitles just kept me glued to the screen. 

https://www.youtube.com/watch?v=cLIQzxgFeNE


The French Gangster Film

Writer, actor and filmmaker Peter Bogdanovich once said that it was always the French who told us what was great about American filmmaking, in essence, that the French tended to be more enthusiastic about particular films and filmmakers that were under-appreciated by American audiences and Hollywood studios (examples would include: Orson Welles, Sam Fuller and Howard Hawkes). It was also the French who took the American crime thriller genre and elements of film noir and who with stylish flare re-modeled two decades worth of brilliant movies that depicted criminal protagonists and their anti-social activities (see: Rififi, Bob the Gambler, Les Doulos, Le Samourai, Shoot the Piano Player, and Breathless). 

One of these outstanding films is Touchez Pas Au Grisbi (1954), starring a washed up, leading man (Jean Gabin) and an unknown actress who would become an international star in the coming years (Jeanne Moreau). Everything simply clicks in this Jacques Brecker directed film about an aging gangster who just wants to retire after a big heist. Gabin plays the affable Max, a man who is both loved and respected by the women and fellow mobsters in his life. When his beloved but bumbling side-kick Riton becomes embroiled in a messy dispute with another gangster, Max must choose between his money and his friendship. The title translates as Don’t Touch the Loot but fans of film noir should certainly get their hands on this classic.