From the November/December issue of Film Comment comes the magazine’s always provocative “Film Comment’s Trivial Top 20” list, curated by their contributors. What do you think?
1. The Godfather: Part II
2. Dawn of the Dead
3. The Empire Strikes Back
4. Before Sunset
5. The Bride of Frankenstein
6. For a Few Dollars More
7. Toy Story 2
8. Gremlins 2: The New Batch
10. Evil Dead II
11. The Testament of Dr. Mabuse
12. Mad Max 2 aka The Road Warrior
13. A Shot in the Dark
14. Mad Max: Fury Road
15. Terminator 2: Judgment Day
17. From Russia with Love
19. The Lord of the Rings: The Two Towers
20. French Connection II
Inspired by a recent filmspotting podcast (highly recommended for movie fans) episode where the two hosts asked their listeners to choose the five directors (and their films) they’d take with them to a deserted island, I thought I'd mull it over. Here’s who I would take with me, keeping in mind that this is not a list of my "favorite" directors but just those whose work I'd want access to while passing the time.
1. Wes Anderson—a great mixture of comedy and melancholia would keep my island dwelling emotional state evenly balanced.
2. Coen Brothers—the storytelling virtuoso of their genre films would fill in for an absence of books.
3. Martin Scorsese—For both the variety and quality of his oeuvre.
4. Ingmar Bergman—Bergman’s films have the excellence, the quantity and the kind of philosophical depth that would keep me ruminating on the big questions while stranded.
5. Stanley Kubrick—If he had only made Dr. Strangelove, Kubrick’s film making flair would be enough to keep my isolation bearable, but throw in The Killing, Paths of Glory, The Shining, 2001: A Space Odyssey, A Clock Work Orange, and Full Metal Jacket and you have more than enough masterworks to choose from.
Honorable Mention Includes: Louis Malle, Jean-Luc Godard, Paul Thomas Anderson, Robert Bresson and Terence Malick.
It's another installment of Liked That, Try This, where we match movies with similar styles, themes, or intersecting approaches to movie-making. Here goes...
Liked The Royal Tenenbaums try Fanny and Alexander
Liked Late Spring try Yi Yi
Liked Savages try You Can Count on Me
Liked Summer with Monika try A Summer's Tale
Liked To Kill A Mocking Bird try The Heart Is A Lonely Hunter
Liked Double Indemnity try The Killers
Liked The Third Man try Odd Man Out
Coming of Age--
Liked Boyhood try King of the Hill
Liked Fish Tank try L'enfance Nue
Liked Ratcatcher try The Long Day Closes
Liked Interstellar try Solaris
Kalamazoo is really fortunate to be home to an Alamo Drafthouse; they are one of the most prestigious theater chains in the world. As a massive film geek, I don’t spend my movie-going dollars anywhere else. One reason for this (beyond the strict no-talking, no-texting policy) is their penchant for bringing independent, foreign, and art-house films to Kalamazoo—ones that would never normally play in our mid-sized market. In fact, the Austin-based company has its very own distribution arm and, as you can imagine, they specialize in “provocative, visionary and artfully unusual films new and old from around the world” (their own words). Some of the many great movies found under the Drafthouse Films label include A Band Called Death, The Act of Killing, The Overnighters, A Field in England, and many more.
One recent favorite of theirs I saw was a creepy indie film called Spring that one promotional blurb perfectly referred to as “Richard Linklater meets H.P. Lovecraft.” As a fan of both creators, this intrigued me. The story follows a young man who sets off to backpack around Europe after his mother dies and the rest of his life falls apart. In Italy, he begins a flirtation with an attractive-yet-aloof young woman, and the two spend a lot of time walking and talking around her scenic coastal village, much like Ethan Hawke and Julie Delpy did in Linklater’s Before Sunrise series. However, the woman is harboring a dark secret—one that evokes the primordial horror of Lovecraft tales, and one that may pose a threat to more than just their relationship. To say more would be to spoil, but I definitely recommend checking the film out if you’re looking for an unusual twist on two familiar genres. And be sure to check other Drafthouse Films, both here at KPL and at downtown’s Alamo Drafthouse location!
One of the most significant and original British directors of the post-war era, Nicolas Roeg has carved out a unique and influential oeuvre, making radically inventive films that advanced the grammar of cinema. Narratively complex and often puzzling films that work like mosaics, his films tend to have very powerful images and enigmatic shifts in tone that work to foster unease and uncertainty. Known for innovations in plotting, sound effects and editing, Roeg’s most well-known movies are his finest beginning in 1970 with the beguiling Performance, starring Mick Jagger. Walkabout (1971), Don’t Look Now (1973), The Man Who Fell to Earth (1975), Bad Timing (1980), and Insignificance (1985) have all been deemed by critics as significant contributions to movie making for their adventurous, envelope-pushing qualities. The Criterion Collection has recently released arguably his best and most commercially successful film, the psychological thriller Don’t Look Now, a film so full of misdirection and subtle ambiguities, viewers will want to return again and again to plumb its possible meanings. The film, ostensibly about a grieving couple working through their trauma takes on a more sinister tone when viewers are confronted early on in the film with the possibility that “nothing is what it seems.” An absolute masterpiece without categorization.
March is Women’s History Month and so in keeping with the theme of highlighting the achievements and contributions of women involved with movie-making, here’s a list of writers, directors and some of their groundbreaking works.
Ava DuVernay (I Will Follow, Middle of Nowhere, Selma)
Agnes Varda (Cleo from 5 to 7, Vagabond)
Kathryn Bigelow (The Hurt Locker, Zero Dark Thirty)
Lena Dunham (Girls, Tiny Furniture)
Maya Deren (Maya Deren: Experimental Films)
Penny Marshall (A League of Their Own)
Allison Anders (Border Radio)
Claire Denis (White Material, Bastards)
Chantal Akerman (From the Other Side, Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles)
Lynne Ramsay (Ratcatcher)
Ida Lupino (The Hitchhiker)
Elaine May (The Birdcage, A New Leaf)
I’m not gonna lie: As much as I personally loved Academy Award Best Picture winner Birdman more than expected winner Boyhood, I’m still shocked that the artsy and eccentric tale of a washed-up superhero actor trying to do “legitimate theater” (and please in your head imagine that pronounced as “theee-ATER”) beat out the wholesome, relatable, coming-of-age tale that was filmed over the course of twelve years. I’m certainly happy for Birdman—just not so happy about what it did to my Oscar pool. In addition to Best Picture, Birdman picked up wins for Best Director (Alejandro G. Iñárritu), Best Cinematography (Emmanuel Lubezki) and Best Original Screenplay (Alejandro G. Iñárritu, Nicolás Giacobone, Alexander Dinelaris, Jr. & Armando Bo).
In case you’d like to catch any of the other available Oscar winners that you may have missed, I’ve listed them below. Click on the links and place a hold on a copy today.
- My favorite film of the year, Whiplash, picked up three wins for Best Supporting Actor (J.K. Simmons), Best Film Editing (Tom Cross), and Best Sound Mixing.
- Many people won for working on Wes Anderson’s The Grand Budapest Hotel—except poor Wes Anderson himself; the film won for Best Original Score (Alexandre Desplat), Best Costume Design (Milena Canonero), Best Production Design (Adam Stockhausen), and Best Makeup and Hairstyling.
- Be sure to check out Eddie Redmayne’s Best Actor performance as Stephen Hawking in The Theory of Everything; it was a well-deserved win.
- Boyhood's lone win was for Best Supporting Actress (Patricia Arquette).
- Disney’s Big Hero 6 won for Best Animated Feature; the Best Animated Short winner, Feast, can be found on the Big Hero DVD or Blu-ray.
- Best Foreign Film winner Ida is amazing and you should watch it--regardless of your unfortunate and snooty hatred of subtitles.
The following winners will be released soon and are available for holds now:
Keep checking back for Still Alice, for which Julianne Moore won Best Actress, Selma, which featured Best Original Song winner “Glory” by John Legend and Common, and must-see Best Documentary Feature winner CitizenFour. We don’t have releases for these titles yet, but we will assuredly carry them.
Oscar nominations were announced yesterday, which means it’s once again time for me to let all the obsessive movie lovers out there know which films are available right now (or very soon), here at the Kalamazoo Public Library.
The first film you’ll want to get your hands on is Richard Linklater’s Boyhood. Nominated for six Academy Awards, this critical darling is the front-runner for Best Picture, Best Director (Linklater) and Best Supporting Actress (Patricia Arquette). It also received nominations for Best Actor (Ethan Hawke), Film Editing, and Original Screenplay. Boyhood is an epic coming-of-age tale that was filmed over the course of twelve years using the same actors. The story follows the journey of young Mason Evans as he ages from six to eighteen, and the viewer can literally watch the young actor grow and mature before their very eyes. It’s truly a great achievement in filmmaking.
The next movie you’ll want to watch is Wes Anderson’s The Grand Budapest Hotel, which received nine nominations—tied for the most this year. It was recognized for Best Picture, Best Director (Anderson), Original Screenplay, Cinematography, Costume Design, Film Editing, Makeup and Hairstyling, Original Score and Production Design. The hilarious film follows the exploits of a hotel concierge (Ralph Fiennes) and his lobby boy (Tony Revolori) as they attempt to wrest a valuable painting from the estate of a recently deceased elderly patron. Surprisingly, this is Anderson’s first Best Director nomination and the first of his films to get nominated for Best Picture.
After that, it might be time for a marathon of Best Visual Effects nominees: Dawn of the Planet of the Apes, Captain America: The Winter Soldier, X-Men: Days of Future Past, and Guardians of the Galaxy (also nominated for Makeup and Hairstyling). Come to think of it, if there were an Oscar for the length of the movie title, these would probably be the nominees for that as well.
Then turn your eye to Best Animated Feature nominees: How to Train Your Dragon 2 is out now; The Boxtrolls and Big Hero 6 are not available yet, but they will be soon and you can place a hold on them right now. Shockingly, everything was not awesome for The LEGO Movie, which did not get nominated for Best Animated Feature as expected, but it did still pick up a nomination for Best Original Song with “Everything Is Awesome,” performed by Tegan and Sara (featuring The Lonely Island).
Next, you’ll want to check out Disney’s Maleficent, nominated for Best Costume Design; Finding Vivian Maier, a Best Documentary Feature nominee; Begin Again, Original Song nominee for “Lost Stars”; and Ida, which scored both Best Cinematography as well as Best Foreign Film.
Best Documentary nominee Virunga is available via our streaming service hoopla.
There are several more nominees that are arriving within the next several weeks that you can place a hold on right now, including eight-time nominee The Imitation Game. This true, tragic story of Alan Turing, father of the modern computer and preeminent World War II code-breaker, scored recognition for Best Picture, Best Director (Morten Tyldum), Best Actor (Benedict Cumberbatch), Best Supporting Actress (Keira Knightley), Adapted Screenplay, Film Editing, Original Score, and Production Design. The other coming-soon films that you can place a hold on now are Gone Girl (Best Actress – Rosamund Pike), The Judge (Best Supporting Actor – Robert Duvall), Nightcrawler (Original Screenplay), and Beyond the Lights (Original Song).
So start binging today, and be sure to keep checking our catalog for other Oscar nominated films as more of them become available.
For many of the Oscar nominated films that are still in theaters, be sure to check out downtown Kalamazoo’s Alamo Drafthouse Theater, which is currently playing American Sniper (6 nominations), Foxcatcher (5 nominations), Into the Woods (3 nominations), Selma (2 nominations), Inherent Vice (2 nominations), and the aforementioned The Imitation Game (8 nominations).
Mixing Notting Hill-like romantic fantasy with time traveling tropes, About Time excoriates viewers to live life to its fullest in the most sugary of ways. The message throughout the film is crystal clear and delivered like a hammer slamming against your head and your heart--life is precious and always chockfull of peaks and valleys, therefore, even if your family has the capacity to travel backward to modify one’s choices and missteps, one should recognize and cherish the insignificant, every day moments that form one’s life. It’s a terribly obvious film with just enough melodrama and character to move the heartstrings while not embarrassing itself. What better way to spend a dreary, cold Saturday than inside with a bowl of popcorn and a movie with beautiful people romping about their romantic endeavors with time travel at their fingertips. For fans of treacly schmaltz like The Time Traveler’s Wife, Love Actually, The Perks of Being a Wallflower, and The Vow.
Actor/director Ben Stiller makes a decent go at breathing new life into a classic story by James Thurber that was originally adapted in 1947 with Danny Kaye playing the lead. Thurber disliked the MGM film and I suspect that as an artist who cared deeply about his work, he’d find few remains of his classic tale of a socially awkward introvert prone to vivid daydreaming in Stiller’s ambitious yet uneven attempt. It’s a movie with a heart even if it’s one that is cloying and flavored with a simplistic “just do it” spirit. Stiller’s Mitty fantasizes as a means to escape his life of corporate downsizing and failure to find love. As a heroic everyman willing to brave danger to save a damsel in distress, Mitty finds agency, meaning and purpose (the hyper-masculine sort of course) but then again, that’s only a narrative exercise that takes place between his ears. It’s when he’s propelled by urgency, self-interest and romantic inspiration that our ill-at-ease hero pushes aside his fear and anxiety, leading to the a-ha moments one locates in adventure but also the kind found in every self-help book (live life to the fullest dude!). Stiller’s harmless, family-friendly and entertaining take on a classic is worth a viewing for its reimagined Mitty and superb cinematography but you may want to simply head to the library and pick up Thurber’s story for the substance.
The Secret Life of Walter Mitty