Staff Picks: Movies
Staff-recommended viewing from the KPL catalog.
Sandra Bullock may have taken on deadly space debris in Best Picture contender Gravity, but it’ll likely be Cate Blanchett that destroys her chances at winning a second Oscar come Sunday, March 2nd. That’s right, the 86th Academy Awards ceremony is less than two weeks away, which mean now’s the time to catch up on all those critically-acclaimed movies you’ve been meaning to watch. Thankfully, the Kalamazoo Public Library is here to help with this list of all the Oscar-nominated films that you can check out from us right now:
- Best Picture nominee Captain Phillips received 6 nods overall, including Supporting Actor (Barkhad Abdi), Adapted Screenplay, Film Editing, Sound Editing and Sound Mixing (Tom Hanks just missed the cut for Best Actor, but his performance is riveting, especially in the film’s final 10 minutes).
- Cate Blanchett is the front runner for Best Actress in Woody Allen’s Blue Jasmine. The film also received nominations for Supporting Actress (Sally Hawkins) and Original Screenplay.
- Best Animated Feature nominees The Croods and Despicable Me 2 are available now (Front-runner Frozen will be here in March). Despicable also received a nomination for Best Song with Pharrell Williams’ “Happy.”
- Four of the five Best Documentary Feature nominations are here: The Act of Killing, Cutie and the Boxer, Dirty Wars, and 20 Feet from Stardom.
- Big-budget summer films Iron Man 3, Star Trek Into Darkness, and The Lone Ranger received nominations for Best Visual Effects. Ranger also received a nod for Hairstyling & Makeup alongside fellow unlikely-contender Jackass Presents: Bad Grandpa.
- Baz Luhrmann’s opulent take on The Great Gatsby was recognized for Costume Design and Production Design.
- Best Foreign Language Film nominee The Hunt is currently available, while fellow contenders The Broken Circle Breakdown and The Great Beauty will arrive in March.
- The third part of Richard Linklater’s beloved romance trilogy, Before Midnight, received an Adapted Screenplay nod.
- All is Lost features a great performance from Robert Redford and was recognized for Best Sound Editing.
- Abduction thriller Prisoners is competing for Best Cinematography.
Several more Oscar contenders will be available on DVD or Blu-ray very soon:
- With 10 nominations (including Bullock’s), Gravity (available February 25th) will be a force to be reckoned with on Oscar night. It has a great shot at winning Best Picture and Director (Alfonso Cuarón) and is also the front-runner for technical categories like Visual Effects, Sound Editing, and Sound Mixing. The film was also recognized for Cinematography, Film Editing, Original Score, and Production Design.
- Also out on February 25th is Nebraska, which welcomed nominations for Best Picture, Director (Alexander Payne), Actor (Bruce Dern), Supporting Actress (June Squibb), Cinematography, and Original Screenplay.
These Oscar contenders will be available in March, and you can place a hold on them right now:
- 12 Years a Slave received 9 nominations, including Best Picture, Director (Steve McQueen), Actor (Chiwetel Ejiofor), and Supporting Actress (Lupita Nyong'o).
- American Hustle was nominated for 10 Oscars, including Best Picture, Director (David O. Russell), Actor (Christian Bale), Actress (Amy Adams), Supporting Actor (Bradley Cooper), and Supporting Actress (Jennifer Lawrence).
- Dallas Buyers Club has 6 nominations, including Best Picture, Actor (Matthew McConaughey) and Supporting Actor (Jared Leto), and both actors are favored to win in their respective categories.
- The Wolf of Wall Street was nominated for Best Picture, Director (Martin Scorsese), Actor (Leonardo DiCaprio), Supporting Actor (Jonah Hill), and Adapted Screenplay.
- Philomena is competing for Best Picture, Actress (Judi Dench), Original Score, and Adapted Screenplay.
- Also arriving in March are nominees The Grandmaster (Cinematography, Costume Design), Inside Llewyn Davis (Cinematography, Sound Mixing), The Book Thief (Original Score), Saving Mr. Banks (Original Score), and Mandela: Long Walk to Freedom (Original Song).
Keep an eye out for the rest of the nominees, which are sure to follow. In the meantime, come on down to KPL and start prepping for Oscar night!
The movie and the man “Riddick” is one of the deadlist frogs you would ever meet. Riddick played by Vin Diesel is a man not a frog, just to be clear. I just like that it sounds like Ribbit Ribbit like a frog. Riddick being the past Lord of the Necromongers would probably not like having his name made fun of. In the movie Riddick has made a deal with Commander Vaako; the location of Furya and a ship to take him there, in exchange for Vaako becoming the next Lord Marshall. Well, they take him to a desolate planet instead and try to kill him. Riddick kills most of his assassinators. But Krone manages to shoot up a rock ledge causing a landslide to burry Riddick. This was all a lead up to keep the story in line and get to what most of this movie is about. Riddick needs to get off the planet. The Planet is full of deadly creatures, one looks like a scorpion but is much larger, more like 50 pounds. The other is a creature that looks a cross between a dog and a leopard. Mostly Riddick is a harden heart kind of guy who can easily kill but he also lives by a code. In this movie they humanize him and make you like him a little more than the bad guys he fights by having him get one of these leopard dog puppies. The dog when grown fights by Riddick’s side and alerts Riddick to danger. Riddick finds an abandon outpost (how convenient, without this there would be no movie, he would just die) He sets a bunch of traps and then hits the emergency beacon which scans him and sends out an alert that Riddick a wanted man with a large bounty is here on this planet. Two different teams come and try to claim the bounty. Riddick leaves a note in the blood of one of them to leave him one ship. The rest of the movie is various attempts to catch or kill Riddick and Riddick killing them. I found the one shot of them looking for Riddick and he is sitting on top of their space ship listening to them scurry about in terror of him, while he is peeking through their sun roof and cutting off pieces of a carrot and eating them to be comical. I think it was supposed to show how superior he is but it gave me a chuckle instead of awe. This is the third movie in a series of Riddick movies. From the sounds of the extras on the DVD there will be more Riddick movies. Give it a try or see them in order, Pitch Black 2000, The Chronicles of Riddick 2004 and Riddick2014.
I was afraid that the movie You’re Nextwas going to be just another slasher movie. Go for the gore, forget about the plot. But I was pleased with You’re Next. It did have the blood splashings and it did have a guy get shot in the head with a crossbow but it also had a guy get shot in back with a crossbow and a guy get his head caved in by a meat cleaver and a guy get his head chewed up by a blender. So yeah it had the gore. It also tried for the freaky suspense and the bad guys wore animal masks. Always creepy when can not see your attackers face and even creepier if he is wearing a mask. I gotta say it did enhance my movie experience to see a guy in a lambs head mask take a sledge hammer and use it like a golf club or maybe a crochet mallet to the head of one of their prey. It also had a bit of a mystery to it. Why are they being attacked. Mostly the suspense was what will happen next. Oh, and I did learn a few things, like if you take a board and drive nails through it, it makes a good deterrent for anyone sneaking in through your window, but it also makes them good and mad. If you are looking for a horror type movie but with humans in animal masks, try You’re Nextavailable with many other titles at KPL.
Reader’s Advisory is a term that librarians use to describe the act of linking similar titles together so that readers are exposed to authors and titles that possess comparable thematic or stylistic qualities. This is the first installment of a film version of that kind of process of suggestion. It’s not scientifically based and so absorb these lists with a grain of salt.
• Liked Goodfellas, try Miller’s Crossing
• Liked Charulata, try Everlasting Moments
• Liked The Truman Show, try Real Life
• Liked Drive, try Taxi Driver
• Liked Eternal Sunshine of the Spotless Mind, try Petulia
• Liked Last Year at Marienbad, try Memento
• Liked The Ice Storm, try Ordinary People
• Liked Groundhog Day, try Being There
• Liked Take Shelter, try Repulsion
• Liked Il Postino, try Amelie
• Liked E.T, try Super 8
• Liked Doubt, try The Silence
• Liked Mad Men (series), try The Hour (series)
• Liked Paper Moon, try The Last Picture Show
• Liked Harold and Maude, try Delicacy
• Liked Tinker Tailor, Soldier Spy, try The Spy Who Came in from the Cold
• Liked Goon, try Slapshot
• Liked Harry and Tonto, try Alice Doesn’t Live Here Anymore
• Liked The Newsroom (series), try Sports Night (series)
• Liked Platoon, try The Thin Red Line
• Liked Leaving Las Vegas, try Taste of Cherry
• Liked Dead Man Walking, try Into the Abyss: a tale of death, a tale of life
• Liked There Will Be Blood, try Citizen Kane
• The Bridge Over River Kwai, try Force 10 from Navarone
• Liked Blue Valentine, try A Woman Under the Influence
Force 10 from Navarone
As rabid a film watcher as I am, time restrictions will forever thwart my capacity to plow through KPL’s stellar movie collection but here is an abbreviated list of some of my favorite films from KPL’s collection, watched over the past year. While we add new releases each week, don’t forget about the diversified depth of our collection. We can’t purchase every movie that is requested or inquired about but we can work toward the goal of having most titles for most of our patrons, most of the time.
Upstream Color: With the exception of the increasingly abstract, fragmented and non-linear narratives of Terrence Malick, there have been few notable American films over the past decade or so that have attempted to remake the kind of Eurocentric, anti-classical/realist/romantic films of the 1960’s and 70’s (think: Godard, Bresson, Tarr, Tarkovsky, Resnais, Warhol, Antonioni). With Upstream Color, a sort of Hiroshima Mon Amour for our contemporary times, one hopes that young filmmakers will continue to take the value of abstraction seriously, reimagining it in new and thoughtful ways.
Hedwig and the Angry Inch: A film that came out (pun intended) way ahead of its time. It’s kind of an absurdist musical that is in-your-face bonkers, but bonkers in the most vital, transgressive and beautifully rebellious way. A postmodern Hair.
Young Adult: Charlize Theron gives a great performance as an unraveled mess of a person that attempts to transition from a life of boredom and narcissism toward a more complete, self-aware state where the adjective ‘young’ can finally wither away.
Sullivan’s Travels: I checked this film out because the great American director Preston Sturges’ name kept popping up in literature on director/writer Wes Anderson (a favorite of mine). This well-written and acted screwball comedy hits the mark and lives up to its acclaim as one of the 1940’s best films.
My Dinner with Andre: A film like few others--this conventions-busting mixture of fiction and nonfiction, storytelling and improvised riffing will either bore you into slumber or thrill you with its originality. We almost forget, due to the strong writing, that the great French autuer Louis Malle was its director.
Insignificance: I’m still not sure I ‘get’ this peculiar film but it was certainly compelling, the way in which a film can unfold as both an irritant and a puzzling enigma.
Hiroshima Mon Amour: Before I saw this Alain Resnais masterpiece about memory, love and loss, I considered Harold and Maude my favorite film. Now it’s number two.
12 Angry Men: Watch this fictional, court room drama and then the documentary The Central Park Five. The very notion of facts, evidence, justice and human objectivity are brilliantly rendered as a hollow collection of outdated concepts with tragic application.
Hunger: Not to be mistaken with Steve McQueen’s first film about the imprisonment of IRA soldiers of the same name but rather the nimble and haunting adaptation of the classic, existential novella by Danish writer Knut Hamsun.
Summer with Monika: Arguably, my favorite film of Bergman’s but nowhere near his best. That distinction belongs to his magnum opus Scenes from a Marriage, a film that should only be approached by the single and the happily married couple.
Rules of the Game: My goal for movie watching this year was to view a handful of those classics considered important to the historical development of the art form according to the Sight and Sound Magazine’s list of 250 Greatest Films; a list created every ten years by an esteemed cadre of critics. Renoir’s masterpiece (rated at No. 4) is there for a reason and its influence can be seen in almost every film made since 1939 that skewers the vacuity of the rich and clueless.
La Jetee/Sans Soleil: Made by maverick film essayist Chris Marker, these two films are quite distinct from one another in both content and style. Both represent the best in avant-garde, envelope-pushing cinema that emerged parallel with the various manifestations of the European New Wave movement.
Picnic at Hanging Rock: This 70’s cult classic by Peter Weir still holds up as a truly original film that tackles the subject of loss, regret and repressed longing, all of which are tied to a mystery that leaves an Australian women’s school in shock and confusion.
Other notable films: L’ Avventura, Stroszek, Bringing Up Baby, Amarcord, The Killing, Neighboring Sounds, Damnation, The Lives of Others, Magnificent Ambersons, Harvey, Pat and Mike, The Third Man, Ali: Fear Eats the Soul, The Searchers, Elevator to the Gallows, As I Lay Dying, Cleo from 5 to 7, Frances Ha, The Silence, Winter Light, Cries and Whispers, Blast of Silence, Through a Glass Darkly, Argo, Shallow Grave, Band of Outsiders, Fanny and Alexander, Mud, Harry and Tonto, Chasing Ice, and Guess Who’s Coming to Dinner.
When the film begins the warning label for Getaway with Selena Gomez and Ethan Hawke says Mayhem throughout and indeed there is. Basically Ethan Hawke has to drive Selena Gomez’s armored Shelby GT500 car around town and crash into everything especially police cars. Pretty much there was a crash or explosion every 5 minutes throughout the movie. So who cares what the plot is, cars crash and explosions happened. There is a plot but really it is secondary to crashes, Ethan’s wife is kidnapped and Ethan, an ex race car driver is forced to drive what turns out to be Selena Gomez’s car which is now outfitted with cameras so the bad guy can watch and listen to the occupants. Selena’s dad runs the bank the bad guy is trying to rob. He gets Ethan to cause accidents at strategic points to block traffic and then the bad guy makes his move. You have to let go of logic and just sit back and enjoy but 2 things still bugged me. Ethan is driving an armored car and yet he is scared of bad guys on motor bikes. Just wiggle your car and knock into them, motor bikes are notorious for falling down. The second point was when Selena Gomez “reprograms” the cameras by grabbing one and rotating its lens back and forth and voila it is now a live feed to the police. She is that good. For this movie, turn up your sound especially your bass, turn off your logic and sit back and enjoy.
Usually I am disappointed with Cuba Gooding Jr. movies. Maybe I lowered my expectations or maybe this is a good movie, you watch and decide. The Ticking Clock is about a true crime reporter becoming involved in a murder. When Lewis Hicks (Cuba Gooding Jr.) girlfriend, or maybe better said the woman he is seeing while he is separated from his wife, is murdered. Lewis chases the guy and in a scuffle the murderer drops his journal. When Lewis reads the journal there are entries for more murders to take place in the future. Keech (Neal McDonough) is our murderer and he makes a good one. Lewis is not liked by the police as he has written negative things about them in previous articles so they are not very willing to help him. Everything keeps pointing to a 9 year old boy in an orphanage who is interested in science and time machines. Keech is that grown up boy and is traveling back in time murdering people thinking that he can change things and make his future better. He murders his abusive mother but instead of making things right he is now raised by his aunt and she is worse. Lewis investigates and finds this boy at the orphanage and visits him, takes him to the zoo, is tempted to smother the boy with a pillow and change the future. I think my problem with Cuba Gooding Jr. is his face. He has a face for stern, or mad or thinking and it is the same face. His smiling face is a little different.
The Man with the Iron Fists was a pretty cool Chinese martial arts movie with plenty of action. I was surprised to see Russell Crowe in this movie but they gave him a knife that spins and shoots bullets. Jungle Village has several warring clans. The Governor trusts Gold Lion to protect a shipment of Gold. Well, Gold Lion did not live long, he was killed by one of his own lieutenant’s, Silver Lion. Jack Knife (Russell Crowe) arrives, he is the Emperor’s undercover agent. He comes into the Pink Blossom brothel run by Madam Blossom (Lucy Liu), requests a room overlooking the street and 3 of the women, one of whom is currently with Crazy Hippo. Jack warns Crazy Hippo to give up the woman and not fight him then promptly knives him with his spinning knife. This isn’t a serious martial arts movie and it seems like they had fun with it. Later in the movie when Jack shoots someone with his knife he says I bring a gun to a knife fight. It’s funnier in the movie that it sounds here. There is a blacksmith played by Rza who also wrote the story, screenplay and directed the movie. He is the one who gets the Iron Fists. There is a mercenary named Brass Body. I think he was the most formidable person. His whole body turns into brass and nothing can hurt him, until the end of the movie and Iron Fists does him in. The movie has a lot of action and the basic plot is guard the gold, gold gets stolen, gold gets back to Emperor but the enjoyment of the movie is watching everyone go martial arts on everyone.
Man with the Iron Fist
End of Watch is a movie shot in documentary style of two police officers in the south central Los Angeles area. It gives you a good insight and feel for Brian Taylor (Jake Gyllenhaal) and Mike Zavela (Michael Pena) as partners. A lot of the movie is the two of them in the locker room, in the squad room or in the car, talking about everything with each other. It really shows you the bond the two of them have. The movie also has many moments of gripping action. Mike says that they see more action in one shift than some officers will see in their entire lifetime. Some police can go their entire career without drawing their gun but not in southern Los Angeles.
Brian is making a film so he is always filming with his camera and he and Mike are wearing button cameras. This gives us the feeling of being part of the action. There is a Latino gang that ironically is also filming and we see them inside their van gearing up for action. They are talking about hitting Tre and his fellow Bloods gang. We see them getting their guns together and a we see them drive by the Bloods and start firing their AK47s and hand guns, hundreds of bullets are fired and then off they drive. Our officers find the burnt out husk of the van dumped. Brian would like to be a detective but as he is a uniformed officer the homicide detectives shoo him away and tell him to stay on the other side of the crime tape. Next we watch the officers respond to a missing children call, only to find a man and a woman obviously high and not in their right mind. The woman is saying her children are missing, the man is saying they are at their grandmas. Brian searches the house and finds the children duct taped in the closet. This is to give us a feel of what their watch is like. Later they pull over a truck and the driver tries to shoot Michael with an ornate looking pistol. They search the truck and find oodles of cash and what looks like a gold plated AK47. Our next adventure is when Brian and Michael are at a house fire and they risk their lives to rescue a bunch of small children. This section of the movie was very powerful and definitely had you on the edge of the seat of your chair, you could almost feel the fire and have a hard time breathing due to the smoke. They are awarded medals and accolades from their fellow officers. Brian, who wants to be a detective, decides to dig deeper into the driver with the ornate gun. He convinces his partner to back him up and they go to the house where the truck came from and they find a room full of human trafficking people. Suddenly there are many ICE agents descending and they tell Brian and Michael to lay low as there may be reprisals.
Now we go back to the personal side of life and Michael’s wife has a baby. Then back to driving around in the squad car talking about the baby when a call comes in to help two officers. When they arrive they find one of the officers with a knife sticking out of his eyeball in his head, and his partner is getting beat on. They get the huge hulk of a man off the female officer but her whole head is caved in and is a misshapen bloody mess. This gives you a feel for the harshness of the streets. There are more personal moments and of course a reprisal happens with a hit put out on Brian and Michael.
This movie has a lot of action, and gives you insight into the life of a police officer. This was modeled after two real live police officers. I think that gave me the most scare. This is not just a movie, this stuff really happens. This movie is not for the faint of heart and there is a lot of use of the foul language to give you the realness of the gangs.
End of Watch