| Gibson
Inc.: Music Makers
Gibson, Inc. photo gallery
Born in New York in 1856, Orville Gibson headed west to Kalamazoo, Michigan, in the 1880s. Finding employment as a clerk, he spent
every free moment hand-crafting mandolins. By 1896, Gibson was able to produce mandolins on a full-time basis, and opened his store on 114 S. Burdick. Three years later he moved his shop to his residence on the second floor of 104 E. Main Street.
Gibson preferred using old furniture wood to make his instruments,
believing it to be more durable and of higher quality. This emphasis
on quality and craftsmanship limited Gibsons output to only
six or seven instruments a year. This changed in 1902, when Gibson
was approached by five men who offered to provide money to establish
a manufacturing facility for his instruments. Gibson accepted, and
the Gibson Mandolin-Guitar Manufacturing Company was incorporated
in 1904. Under the agreement, Gibson would serve as a consultant,
training workers in the fine art of instrument building. Apparently
frustrated by this new arrangement, Gibson moved back to New York
in 1909 where he died in 1918.
With an aggressive sales policy, the Gibson Mandolin-Guitar Manufacturing
Company flourished despite the absence of its founder. First it
moved to a larger facility at 523 E. Harrison Court. In 1917, the
company moved to its permanent location, 225 Parsons Street, where
it remained for nearly seven decades. Over the years, the Parsons
Street plant expanded five times into a 120,000 square foot building
spread out over an entire city block.
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Gibson, Inc., Interior, 1936
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Source: Kalamazoo Public Library Photograph
P-79 |
Until the 1920s, Gibson had specialized almost exclusively in mandolins.
But as Americas musical tastes evolved during the 1920s and
1930s, so did Gibsons. Banjos, ukuleles, and guitars became
increasingly popular. In the early '20s, the company introduced
a truss rod neck construction which streamlined a guitars
neck. Now standard on most guitars, this innovation allowed easier
fingering and faster playing. During the 1920s, Gibson was also
one of the first manufacturers to experiment with the electric guitar,
twenty years before it found popular success. In 1934, Gibson introduced
the "Super 400" guitar, which revolutionized standards
for tone and volume. Unfortunately, the consumers buying power
had been drastically reduced during the Depression. To remedy this,
Gibson produced a lower-cost "Kalamazoo" line of guitars
that helped keep the company afloat during the lean years.
During World War II, Gibson contributed to the war effort by
manufacturing electrical and mechanical radar assemblies, glider
skids, and precision machine-gun rods. The company was even
awarded three Army/Navy "E" awards for production excellence.
Gibson experienced remarkable growth in the 1950s, aided in part
by the introduction of the famous Les Paul guitar in 1952. Named
after the famous guitarist, it was designed to his specifications.
The companys success continued during the 1960s, when it manufactured
over 1,000 guitars a day and employed nearly 1,000 workers, but
a sharp nationwide decline in guitar sales contributed to Gibsons
difficulties during the 1970s and 1980s. The company moved its headquarters
to Nashville, Tennessee, in 1981, and three years later it closed
the Kalamazoo plant.
Four former Gibson employees soon formed a new company, Heritage
Guitar, Inc., and set up shop in part of the old Gibson plant. With
Gibsons retreat to Tennessee, the success of Heritage Guitar
guarantees that Orville Gibsons trade will continue in Kalamazoo
indefinitely.
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For
further information, we suggest these sources:
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H 338.8
B448 |
Bellson, Julius. The Gibson Story. 1973. |
H 787.6
C325 |
Carter, Walter. Gibson Guitars: 100 Years of an American
Icon.
Los Angeles: General Publishing Group, 1994. |
H 787.6
W564.1 |
Wheeler, Tom. American Guitars: An Illustrated History. New
York: Harper & Row, 1982, pp. 94-197. |
H 787.6
W595 |
Whitford, Eldon, David
Vinopal, and Dan Erlewine. Gibsons
Fabulous Flat-top Guitars: An Illustrated History and Guide. San
Francisco: GPI Books, 1994. |
H 787.6
B129 |
Bacon, Tony and Paul Day. The Gibson Les Paul Book. San Francisco:
GPI Books, 1993. |
H 787.6
V256 |
VanHoose, Thomas. The Gibson Super 400: Art of the Fine
Guitar.
San Francisco: GPI Books, 1991. |
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"A Heritage of Craftsmanship: Gibson Guitars." Kalamazoo
Review, Nov. 1976, vol. 2, p. 21. |
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"Guitar Town: Kalamazoo and the Gibson Heritage." Encore, Nov/Dec 1989, vol. 17, p. 36. |
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"Gibson: Landmark week celebrates history of music company
and Kalamazoos first Blues Festival." Kalamazoo
Gazette. 13 July 1994, page B1. |
| Web site |
Heritage
Guitar |
| Web site |
Gibson,
Inc. |
Written by Kris Rzepczynski, Kalamazoo Public
Library Staff, 1998.
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