The long awaited sophomore effort from author Marisha Pessl, Night Film, has received nearly as much hype as her debut novel, Special Topics in Calamity Physics, received. For me, a lot of publishing industry hype is not always a good thing and can often lead to a total letdown when I actually get around to reading the book. But with Night Film, I’m happy to report, that the hype on this shadowing, page-turning thriller is justified. Like Special Topics in Calamity Physics, the story centers on a father-daughter relationship, but the relationship in Night Film is much much darker, focusing on the details surrounding the suicide of the enigmatic daughter of reclusive and mysterious film maker Stanislas Cordova. Cordova’s psychologically dark films have gained a feverish level of notoriety and have sparked the formation of a secretive society of fans who plan underground screenings of his films and hotly debate the film makers shadowy private and family life, and even his very existence. Night Flim is narrated by burned out journalist Scott McGrath, who’s grizzled attitude and ethically challenged investigation lends the book a noir-ish feel. The author does include some unconventional literary stunts to tell the story. Screen shots from webpages, news articles, and other media are sprinkled throughout the book. This my annoy some readers, yet, surprisingly they worked for me and I felt they added something to the richness of the story and were not so frequent as to distract from the flow of the narrative.